{"title":"- All Titles","description":"","products":[{"product_id":"lunacy-age-of-truth","title":"Lunacy - Age of Truth LP","description":"\u003cp\u003ePennsylvania's dark shadow figure, Lunacy, has been releasing music in small batches since 2016. After 4 EP’s and a compilation LP, the time for a debut album has come, the “Age Of Truth” Is upon Us.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith such a broad span of music in such a short amount of time, Lunacy has been working on crafting a shound that people can identify with - equal parts lush noise and undertones of melody. Blurring the lines in between genres, exploringthe realms of noise music with reminiscent shoegaze feel to it.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe creative process in itself breaks from modern standards. Pitch-bent drum machines form the 80’s to now, various analog and digital synthesizers along with an array of various guitar tunings were recorded onto 4-tracks cassettes; each song onto an individutal tape witch are also used in live performances. The album was recorded in The Dustbin in rural Pennsylvania and was mixed by Connor Clasen (IVVLF) and mastered by Oliver Ackerman (A Place To Bury Strangers).\u003c\/p\u003e","brand":"Third Coming Records","offers":[{"title":"Default Title","offer_id":49886262788411,"sku":"LP-TCR-029","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/lunacy.jpg?v=1736527293"},{"product_id":"hissing-tiles-boychoir","title":"Hissing Tiles - Boychoir LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003eBoychoir is the band's second LP, and first for the experimental label Whited Sepulchre (Midwife, Planning For Burial, Forest Management). Recorded at Cincinnati's historic Ultrasuede Studio, the album exhibits a more cohesive coupling of the desperate noise of early releases with an expanded sense of melody, dynamics, and space. Their approach to production and instrumentation is lawless: synths and vibraphones ring out next to prepared guitars and broken cymbals; tambourines and choirs share space with birdsong, controlled microphone feedback, and sampled drones. A washing machine is used as a percussion instrument. No sound was considered off limits.\u003c\/p\u003e\n\u003cp\u003eThematically, the band has chosen to use its platform to examine and dissect male archetypes, looking at how they contribute, or are directly responsible for, a world they view as increasingly drowning in alarming, toxic rhetoric. The songs on Boychoir act as a series of ground-level vignettes, portraying family members led astray, the silently complicit, the increasingly unhinged, and the outwardly destructive. For all of the vitriol shown towards these targets, there is an equal amount of empathy and solidarity shown towards those forced to exist in such an environment, and an overriding\u003cspan class=\"bcTruncateMore\"\u003e sense of hope that humanity will eventually right the ship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\"Boychoir makes some valiant stabs at discussing gender politics and gender policing. Masculinity is positioned as an intrusive presence in an otherwise balanced world. It's an obligation to be fulfilled, a role to play. And when masculinity arrives, it carries all its associated language and horrors. It must be with some self-consciousnesses the artists chose a rock group — one of the most stereotypically masculine forms — to try and undermine such roles.\" - No Wave\u003c\/p\u003e\n\u003cp\u003e\"Slabs of harsh, muscular riffs sit alongside noise-drenched freak-outs, and lyrical themes that question gender stereotypes and masculinity. As abrasive as the songs can be though, there’s an underlying sense of empathy and desire for connection fueling Boychoir, making it an album that ultimately feels cathartic, and refreshingly hopeful.\"- The Sound Not the Word\u003c\/p\u003e\n\u003cp\u003e\"“Boychoir” is a surreal smear that weaves a narration of a botched ear-piercing in the back of a Catholic church into a broader dissection of the terror and paranoia that results from any interaction with the childhood gender norm border guards. \" - Tiny Mix Tapes\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886262853947,"sku":"LP-WSR-011","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Hissing-Tiles.jpg?v=1736527299"},{"product_id":"granite-mask-all-dried-up-2xcs","title":"Granite Mask – All Dried Up 2xCS","description":"\u003cp\u003e𝘏𝘦𝘢𝘥𝘺 𝘦𝘭𝘦𝘤𝘵𝘳𝘰𝘯𝘪𝘤 𝘦𝘭𝘦𝘤𝘵𝘳𝘰𝘯𝘪𝘤𝘴 𝘦𝘹𝘱𝘭𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘵𝘩𝘢𝘵 𝘦𝘭𝘦𝘷𝘢𝘵𝘦 𝘵𝘩𝘦 𝘭𝘪𝘴𝘵𝘦𝘯𝘪𝘯𝘨 𝘣𝘦𝘺𝘰𝘯𝘥 21𝘴𝘵 𝘤𝘦𝘯𝘵𝘶𝘳𝘺 𝘱𝘢𝘳𝘢𝘯𝘰𝘪𝘢. 𝘔𝘶𝘴𝘪𝘤 𝘵𝘰 𝘮𝘰𝘷𝘦 𝘢𝘯𝘥 𝘣𝘳𝘰𝘰𝘥 𝘵𝘰. 𝘘𝘶𝘪𝘵𝘦 𝘴𝘰𝘰𝘵𝘩𝘪𝘯𝘨 𝘪𝘯 𝘢 𝘤𝘭𝘶𝘣 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵.\u003c\/p\u003e\n\u003cp\u003e𝚖𝚊𝚜𝚝𝚎𝚛𝚎𝚍 𝚋𝚢 𝚜𝚝𝚎𝚙𝚑𝚎𝚗 𝚋𝚒𝚜𝚑𝚘𝚙.\u003c\/p\u003e\n\u003cp\u003eNo. 105\u003c\/p\u003e","brand":"Nostilevo","offers":[{"title":"Default Title","offer_id":49886263312699,"sku":"CS-NOV-105","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/R-14526124-1576352040-1037.jpg?v=1736527319"},{"product_id":"rale-i-sit-by-the-window-and-watch-walls-and-ceilings-cd","title":"Rale - I Sit By the Window and Watch Walls And Ceilings CD","description":"\u003cp\u003ePerhaps William Hutson's best achievement yet, an impeccable follow up to his excellent 'Some Kissed Charms …' LP for the Isounderscore label last year. Long form, expert-level sound collage, composed with the format in mind from improvisations recorded between 2007 - 2011 as a continuous piece in seven parts. Weaving together the aesthetics of minimalism, academia, and subterranean noise study with electro-acoustics and elements of dark soundtrack style synth work, the end result is rich and modern musique concrete with a heavy literary influence overhead. Essential.\u003c\/p\u003e","brand":"Monorail Trespassing","offers":[{"title":"Default Title","offer_id":49886263345467,"sku":"CD-MT-092","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0668672898_16.jpg?v=1736527325"},{"product_id":"vasculae-cultural-primitivism-cd","title":"Vasculae - Cultural Primitivism CD","description":"\u003cp\u003eFull circle. A new project from Jonathan Borges (Pedestrian Deposit, Everyday Loneliness, Emaciator, etc). After several years of operating in more subtle areas of experimental music, Vasculae is a 'return to form'; sharp noise composition with emphasis on layering, texture, purity, and 'natural dynamics,' as opposed to the rapid-fire cut-ups of the past. Elements of wall noise, crackle, and 90's style raw blast are fused in these three tracks pulled from two years of intermittent 5-7 hour recording sessions. No melodic ambient interludes, no tape loops, no instruments -- only the sources of pure noise textures. Edition of 500 copies.\u003c\/p\u003e","brand":"Monorail Trespassing","offers":[{"title":"Default Title","offer_id":49886263443771,"sku":"CD-MT-091","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/mt91cd.jpg?v=1736527332"},{"product_id":"hijokaidan-the-hijohkaidan-tapes","title":"Hijokaidan - The Hijohkaidan Tapes LP","description":"\u003cp\u003eHijokaidan's \"Hijohkaidan Tapes\" came out in 1986 on Jojo Hiroshige's Alchemy Records and is not only a historical collection of material, but also pays homage to their predecessors. The cover art and title are pulled from Krautrock legends Faust's 1973 collage classic \"The Faust Tapes\" and the b-side includes a cover of Hawkwind's \"Silver Machine\",  which of course aligns with the bands original intention, \"to play songs in the style of Hawkwind.” “Hijohkaidan Tapes” includes original tracks previously released on cassette, dating back to their incarnation in 1979, with the LP being a retrospective of tracks from 1979 - 1986 (mostly on the early end of '79 \/ '80 or of the then current time of '85\/'86) You get many different group sounds and dynamics. From the horror onslaught of \"The Beyond\" and \" Salem's Lot\", featuring The Stalin's Shintaroh Sugiyama joining the classic line-up of Jojo, T. Mikawa, and Junko (as well as additional vocalist Yuka) to the first LP appearance of the Incapacitants, with Mikawa joined by Hanatarash \/ Boredoms mastermind Yamatsuka Eye on drums.  \"Salem's Lot\" may be the stand out track here with creepy phased to hell organ and electronics, constant feedback piercing through, and blood curdling screams straight from the depths below. As a sort of career retrospective, it makes sense to include the opening track \"Angel Dust\", the first ever recording from Hijokaidan, with a performance so high in volume and destruction that they were immediately banned from using the studio again.  One of the best features of this album is the fantastic notes filling out the cover featuring an extensive Discography that evens Discogs can't touch as well as a track by track rundown to keep you enticed while Hijokaidan destroys your brain!\u003c\/p\u003e\n\u003cp\u003eThe LP reissue on Fantastique includes recreated original LP \u0026amp; label artwork, a photograph postcard of Hijokaidan \u0026amp; Hijohkaidan Tapes sticker.\u003c\/p\u003e\n\u003cp\u003eAvailable in an edition of 500 copies worldwide with 100 on limited white vinyl.\u003c\/p\u003e\n\u003cp\u003e*create an account and login to purchase at a cheaper rate on all titles in the Fantastique webstore.\u003c\/p\u003e\n\u003cp\u003eDigital album available here: https:\/\/fantastiquerecords.bandcamp.com\u003c\/p\u003e\n\u003cp\u003e- Forthcoming to be released December 13th, 2019.\u003c\/p\u003e","brand":"Fantastique","offers":[{"title":"Default Title","offer_id":49886263607611,"sku":"LP-FRCS-012","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/hijotapes-new.jpg?v=1736527344"},{"product_id":"sunk-cost-altitude-sickness-cs-2","title":"sunk cost - altitude sickness CS","description":"\u003cp\u003eSunk Cost is Johnathan Cash, a young man based in Denver, Colorado who knows his noise composition. Altitude Sickness is forty non-stop minutes of intense stereo-panning, hyper-active jump cuts and perfectly-timed breakdowns, in the tradition of the Japanese and American post-treaty leaders, with nary a moment wasted. Features guest electronics from Richard Ramirez on one track.\u003c\/p\u003e","brand":"Monorail Trespassing","offers":[{"title":"Default Title","offer_id":49886263640379,"sku":"CS-MT-127","price":7.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a1198686766_16.jpg?v=1736527351"},{"product_id":"scant-estrangement-cs-2","title":"Scant - Estrangement CS","description":"\u003cp\u003eSecond tape for East Coast linchpin M. Boettke after 2015's 'Wake of Dissolution.' Two untitled tracks of smoldering and combustible iron roar; the A-side being an impeccable decoding of the center of an incinerator rising to full steam, while Side B proceeds into the crackling of heat embers burning out, eventually giving way to an undercurrent pulse of sub bass oscillatio\u003c\/p\u003e","brand":"Monorail Trespassing","offers":[{"title":"Default Title","offer_id":49886264164667,"sku":"CS-MT-125","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a3964351279_16.jpg?v=1736527370"},{"product_id":"mia-loucks-sister-honey-demos","title":"Mia Loucks - Sister Honey Demos LP","description":"\u003cp\u003e\"Bedroom music” as a genre is perhaps questionable, and yet when first hearing the cassette that these songs were originally released on, this was the thought that I was fixated on. Mia’s music can be easily referred to as pretty or “a little angsty”, or simple and sweet, or “a little early Cat Power or Liz Phair” …but there is a rudimentary nature embedded in these songs that, for me, transcends any given era and makes them feel all the more legitimate. It’s the contrast of harmony with the grittiness of “lo-fi” that strikes a chord and drew me in. All the more compelling to me was the fact that she was truly a “bedroom” musician. Mia was not sending e-mails to labels trying to get someone to put a record out for her; she wasn’t even playing shows or sharing her music publicly. She had given some recordings to a childhood friend of her sister, and they were moved by them as such that they and their husband released the cassette on their label, Related Records. Releasing records for artists and groups is interesting because the judgement to do so can be clouded by many external factors (many of which are completely understandable and usually somehow relate to finances). …of course: it’s not feasible to press records of every single small thing that you come across and enjoy, but every now and then, Gilgongo has allowed me to try and share truly obscure material, even on the macro level of “sub-culture” or “independent music”, releases that mattered to me enough to go through the motions of making them physical and available to the outside world as best as I can. Mia’s LP is a perfect example of why I enjoy releasing records - James Fella, November 2016\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886264426811,"sku":"LP-GGGR-084","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/sister-honey.jpg?v=1736527383"},{"product_id":"forest-management-passageways","title":"Forest Management - Passageways LP","description":"\u003cp\u003ePassageways is John Daniel's most personal work to date. An ode to his childhood home - a secluded apartment complex in Cleveland that his parents managed - \"Passageways\" refer to the various connecting hallways running between rooms as much as it refers to the way the passing of time overtakes our perception of spaces that seemed to be endless corridors into discovery and imagination. Passageways is full of submerged melodies, gentle pulls of surging tonal shifts that arc, shimmer and fade into the dark purple hue of the album's shifting overtones. The album rides the line of decaying drones that recall the best of Basinksi or Belong's October Language.\u003c\/p\u003e\n\u003cp\u003eFrom John:\u003c\/p\u003e\n\u003cp\u003e'Passageways' is a record about my childhood home.\u003c\/p\u003e\n\u003cp\u003eThe \"passageways\", in this case, are partially referring to hallways.\u003c\/p\u003e\n\u003cp\u003eI grew up in a unique environment - a quiet and secluded 3-story apartment building in the west suburbs of Cleveland. My parents managed the building so our family had two apartments, eventually right next to each other. As a young kid I would adventure around the apartment building and its surrounding property, thick\u003cspan class=\"bcTruncateMore\"\u003e woods and greenery were behind the building and felt like an endless backyard. I attribute much of my early imagination and creativity to this place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMy folks will be moving away in the next few years as my Dad plans to retire, so I'm planning on leaving a copy of the record with the building, hidden somewhere. I had lived in that building since I was 4 years old - the idea of your home no longer being there is strange, but change is necessary. This home was simply a \"passageway\" into the life that I live now- I believe it was instrumental in becoming an artist.\u003c\/p\u003e\n\u003cp\u003eThis is my folk record in a way. It is not musically obvious, but more in terms of how I approached the writing: A sense of sentimentality about home, about a place and time.\u003c\/p\u003e\n\u003cp\u003eMy first instrument (outside of the drums) was an acoustic guitar, and that's how I started out making solo music. I eventually learned that I wasn't a guitarist and sought more minimal, simple ways of making sounds. But that's really where things started, so I've always felt a connection to that type of music, even in these days of electronic music. I also think there's an idea about electronic music being a bit evasive or emotionally inaccessible at times, or lacking personal transparency. I wanted to challenge expectations of an ambient record by framing it how I would have 10 years ago. This is a development in a side of Forest Management that I've only recently begun to feel, and am doing my best to roll with it.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\"An image appears near the end of the video, presumably from John’s own collection of writings: “I must often close my eyes and remember…” “Blue Leaves” captures that, in the thick ambient wash of the Forest Management sound, like faded photos in old albums unearthed in closet cleanouts.\" - Tiny Mix Tapes\u003c\/p\u003e\n\u003cp\u003e\"Occasionally, I’ll encounter records that feel so intimately autobiographical that they elicit no regard for me at all. There’s no sense that Passageways is projecting itself outward toward the ears of prospective listeners. In fact, the chords of “Blue Leaves” are definitely spiralling inward, like a cyclone that one could cradle within two hands, the crackling chords twisting upward only to pirouette downward again. Similarly, there’s a rumbling at the bottom of “Ageless Imagination” (forever reminding me of a train passing underfoot) that acts like a gravity anchor, trapping the murmured melodies within a kind of convection current that skirts the ceiling, plummets softly, then scoops upward all over again. All of these tracks form their own introspective cocoons. Yet this isn’t an act of defence against the outside; rather, these pieces feel so enrapt in their own sentiment that no energy is spared to contemplate expressing it to someone else. Passageways feels like a record that articulates for the benefit of the speaker. This is John Daniel murmuring to himself, and testing whether the resultant external sound rings true to his inner experience.\" - ATTN Magazine\u003c\/p\u003e\n\u003cp\u003e\"Passageways puts you into a timeless trance state; a computerised dream, hinting at either peace or melancholy depending on your disposition.\" - We Are Unseen\u003c\/p\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886264688955,"sku":"LP-WSR-009","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Forest-Management.jpg?v=1736527397"},{"product_id":"no-dreams-fantasies-of-affection","title":"No Dreams - Fantasies Of Affection LP","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWhat our staff has to say: \"Perfectly paced nightmare electronics surrounded by beauty. Maniacal attention to detail - Slow burn weed soaked incense telepathic spiritual awakening music.\" - Brandon\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOmar Gonzalez hypnotic and somber tape and synth crawl.\u003c\/p\u003e","brand":"Torn Light Records","offers":[{"title":"Default Title","offer_id":49886264754491,"sku":"LP-TLR-011","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/R-11431715-1516212838-8735.jpeg-1.jpg?v=1736527403"},{"product_id":"james-fella-weak-left-input","title":"James Fella - Weak Left Input LP","description":"\u003cp\u003eWeak Left Input\" LP (GGGR-070, September 2014): Two improvised and unedited pieces focusing on meandering \/ overlapping electronics, guitar and tape noise. Over an hour of material ranging from regurgitated drone to shimmering ambiance recorded directly to tape.\u003c\/p\u003e\n\u003cp\u003eOriginally a cassette in 2009, \"Weak Left Input\" was intended to be part of an on-going series of one-off cassettes. It was instead released in a series of 50 tapes, a second time in 2011 and then as a CD in 2014. The LP version is to be released in September 2014 by Gilgongo Records.\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886264852795,"sku":"LP-GGGR-070","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/weak-left.jpg?v=1736527410"},{"product_id":"jordan-reyes-fairchild-soundtrack-border-land","title":"Jordan Reyes - Fairchild Soundtrack + Border Land LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003eThe Fairchild OST and Border Land EP are works that Chicago-based Jordan Reyes conceived as two distinct projects, however, as they were written and conceived it was clear they were cut from the same kind of spiritual cloth. Faichild OST - a soundtrack commissioned for the short film by Kali Kahn - and Borderland are filled with the same kind of patient, unfolding modular synthesizer work that Reyes debuted on his 2019 album Close.\u003c\/p\u003e\n\u003cp\u003eAccording to Reyes: “Spacelessness is the central theme on Border Land, three pieces I recorded while in motel rooms on my January 2019 jaunt out to the East Coast. Motel rooms and highways are sacred spaces for me - touring alone is exhausting and transcendental. Hurtling down highways, you watch the landscape change, but are removed from it. Your environs is a purchased ecosystem. Motel rooms blend together. Even in new cities, you’ve inhabited that room. When you exist in these intermediary, interchangeable spaces, it can be disorienting and psychedelic, especially after long days of driving and playing shows - at the precipice, things slip, reality shifts, the unseen is more easily felt. I tried to channel that feeling while recording Border Land, feeling outside, and considering how it feels to step out or step\u003cspan class=\"bcTruncateMore\"\u003e in, deciding whether something has just finished (“All Things End”) or something is about to begin (“Touching Down”).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fairchild Soundtrack is an interesting thing to put in opposition to Border Land - as I opened myself up to spacelessness and timelessness on those recordings, I opened myself up to an external influence on the Fairchild Soundtrack. I had never made a soundtrack before, but my long-time friend Kali Kahn had a new short film she made - Fairchild, which was commissioned by Borscht Corporation in Miami. I was curious to try my hand at soundtracks, so I offered my help. Kali had very clear ideas about what she wanted, and the result is a mixture of my reactions to the images she captured, and her ideas of how it needed to sound. There was a substantial amount of back and forth, which is obviously quite different than creating music on your own. The concept of innocence rears its head throughout the film, and I tried to capture that through my synthesizer for the soundtrack\u003c\/p\u003e\n\u003cp\u003eMastered by Andrew Weathers\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886265082171,"sku":"LP-WSR-017","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Jordan-Reyes.jpg?v=1736527428"},{"product_id":"sorry-eric-its-okay-lp-pre-order","title":"Sorry Eric - It's Okay LP","description":"\u003cdiv\u003e\n\u003cdiv\u003eIs there a definitive song about Cincinnati? One that truly captures the fraught relationship with being a city both out of time and place? A Midwestern Rust Belt straddling the Southern border of the Mason-Dixon line? A city with the highest per-capita of Fortune 500 Companies with one of the highest poverty indexes?\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis relationship with Cincinnati truly vexes Singer\/Songwriter\/Multi-Instrumentalist Eric Dietrich on Sorry Eric’s debut album, It’s Okay. Composed of members of Vacation, Mardou, Homemade Drugs and Brindle, Sorry Eric tackles this love-hate relationship head-on with spiky, fist-pumping post-punk of the proper-noun dropping “Cincinnati”, Evil, Vile Main Street Yuppies” and “It’s Okay”. Dietrich internalizes these external struggles on declarative spoken-word songs like “Earthly Insults” and “Bicycle Experiments” where characters tackle existential questions following funerals or during suburban bicycle rides.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSorry Eric’s pop sensibilities can be best understood in their lineage to New Zealand’s Flying Nun Records from the undeniable melodic sensibility and slightly skewed perspective on each song’s composition to Robert Scott’s (The Bats) painting on the LP cover, the spiritual connection runs deep.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e*This is a pre order item. All pre order items will ship when in hand.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886266229051,"sku":"LP-WSR-024","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/sorry-eric-cover.jpg?v=1736527493"},{"product_id":"aidan-baker-ekin-fil-the-dark-well-cd-pre-order","title":"Aidan Baker \u0026 Ekin Fil - The Dark Well CD","description":"\u003cp\u003eART 01: \"The Dark Well\" contains four new compositions from the collaborative debut of Ekin Fil and Aidan Baker that spill out in a slow cascade of organ, guitar, and voice. In the works for over a year, the duo have created a soundscape saturated with swells that hum and hiss but ultimately pacify instead of crash.\u003c\/p\u003e\n\u003cp\u003eGuitar by Aidan Baker, recorded at Broken Spine Studios, Berlin\u003c\/p\u003e\n\u003cp\u003eOrgan and voice by Ekin Fil, recorded at home in Acıbadem, Ä°stanbul\u003c\/p\u003e\n\u003cp\u003ePhoto by Aidan Baker\u003c\/p\u003e\n\u003cp\u003eMixed by Ekin Fil\u003c\/p\u003e\n\u003cp\u003eMastered by Aidan Baker\u003c\/p\u003e\n\u003cp\u003eA portion of the proceeds will go to Sea-Watch, a non-profit organization that carries out rescue operations of people in flight in the Mediterranean. You may also donate directly at \u003ca href=\"http:\/\/sea-watch.org\/en\/donate\" rel=\"nofollow ugc\"\u003esea-watch.org\/en\/donate\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Torn Light Records","offers":[{"title":"Default Title","offer_id":49886266392891,"sku":"CD-TLR-001","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/ekinfil.jpg?v=1736527500"},{"product_id":"paradiso-l-r-111","title":"Paradiso Ultra - S\/T CS","description":"\u003cp\u003eGorgeous drip-drop electronic industrial rhythms that sound as though they come both from as far into the future as they do from the past...Excellent!' - BH\u003c\/p\u003e\n\u003cp\u003eNo. 111\u003c\/p\u003e","brand":"Nostilevo","offers":[{"title":"Default Title","offer_id":49886266491195,"sku":"CS-NOV-111","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0167991153_10.jpg?v=1738208513"},{"product_id":"andrew-elaban-variegated-tributary-woven-crescent","title":"Andrew Elaban - VARIEGATED TRIBUTARY \/ WOVEN CRESCENT","description":"\u003cp\u003eAs part of Whited Sepulchre’s 4 x LP release in June, Cincinnati experimental electronic artist Andrew Elaban brings his wide-screen conduction of chance connections and orchestrated unfolding of electronic neurons to the vinyl format.\u003c\/p\u003e\n\u003cp\u003eElaban’s compositions “Variegated Tributary” and “Woven Crescent” are remarkable pieces of modular synth created music that offer an exploded view into Elaban’s creative process. We hear granular synthesis catching flight, decaying tones in a constant state of dying and resurrecting, melodies surfacing like glints of sunlight on placid water and electronic churning of noise gates shutting on and off with algorithmic regularity.\u003c\/p\u003e\n\u003cp\u003eAndrew Elaban is a Cincinnati-based artist crafting delicate super-structures from careful sound selection and controlled surprises. Originally from Cleveland, OH Andrew’s 2016 debut was made from chiseled drones and surging ambient music. Andrew’s exploration into modular synthesizer has led him to share stages with Laaraji, Midwife, Eve Maret, AMULETS, Naps and Mainstage at Cincinnati’s BLINK festival.\u003c\/p\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886266786107,"sku":"LP-WSR-019","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/elaban.jpg?v=1736527520"},{"product_id":"ono-kongo-mercy","title":"Ono - Kongo \/ Mercy LP","description":"\u003cp\u003eThe Chicago “Avant-Industrial Gospel Band” formed 40 years ago when punk was starting to get weird and the weirdos were starting punk bands. Over the years ONO faded from the public light but never stopped practicing or finding new shapes for their noise-laden, Afro-Futurist vision to inhabit – a one syllable word spoken with reverence in the Chicago underground. Re-emerging in the mid-teens with several highly regarded records on Moniker Records and a new cast of members pulled from the disparate streams of Chicago experimental music, ONO resurfaced as a triumphant force – leaving audiences completely shook by their high concept, confrontational and often tear-inducing live shows.\u003c\/p\u003e\n\u003cp\u003eONO was started by travis and P. Michael Grego, enigmatic artists worthy of serious D.C. punk style retrospectives and documentaries. “KONGO” is a skeletal, dirge-filled meditation on one the most sickening acts of genocide enacted on humans and its extensions into modern capitalism and racism, American style. “Mercy” extends ONO’s gospel roots to its most traditional and most deconstructed. Guitars and percussion tear holes into metal while travis’s voice is personified by an authoritative, galloping cadence that marshals disjointed ragtime piano, sheets of noise, throbbing\u003cspan class=\"bcTruncateMore\"\u003e, sub-basement beats felt in the solar plexus and vocal accompaniment by Shannon Rose Riley, Jordan Reyes, and Chicago rapper Malci.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded during the same sessions as their album Red Summer out 05.01 on American Dreams Records, we are thrilled to put these two songs into the world as part of a four LP of 12” records along with Andrew Elaban, Claire Rousay and Fruit LoOops.\u003c\/p\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886270226747,"sku":"LP-WSR-022","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Ono.jpg?v=1736527533"},{"product_id":"hord-bodies-lp-2","title":"HØRD – Bodies LP","description":"\u003cp\u003eHØRD is the solo project of Bordeaux-based synthwave producer Sebastien Carl. Started in 2014, Sebastien has proven himself to be able to gather a cult fan-base around his creation in a short time, collaborating with artists as Hante, Winter Severity Index and Black Bug and performing live in most European countries.\u003c\/p\u003e\n\u003cp\u003eDebuted by Antoni Maiovvi and Vercetti Technicolor's Giallo Disco, an EP on SNTS' Sacred Court and a second full-length on Avant! have followed.\u003c\/p\u003e\n\u003cp\u003eBodies is his third album and it shows eight new passages that take HØRD's distinguishing features one step further once more.\u003c\/p\u003e\n\u003cp\u003eEthereal synths matching deep analogue beats, veiled vocals speaking of visions, memories, meaning and failing. 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A collaboration between Gabor (Aktion, Metro Crowd) on voice and Frenchman Bob Junior (Trans Upper Egypt, Bobsleigh Baby, Hiss) on synth and drum machine, they leave their best on stage, live shows have cemented their ill reputation: Gabor is a lanky dude and struts onstage with a boxer’s pre match ritual dance, ready to vomit words in your face while Bob’s composure never fails to spread misery and mystery through his vintage noise assault setup.\u003c\/p\u003e\n\u003cp\u003eTorbido kicks off with She, a hallucinogenic dub infused punk anthem, Dirty Town is an industrial boogie for wide eyed dreamers, Feel Free! is an electro jungle b-boys rhythmic speed induced breakbeat tune for the future. 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Records.\u003c\/p\u003e\n\u003cp\u003eParallels features eight new compositions that further focus HøRD’s distinguishing features: abstract almost liquid synth passages, deep analogue beats, veiled vocals. Uptempo or slow, instrumental or sung, danceable or rarefied it doesn’t really matter as the album as a whole ends up resulting in a strong cinematic appeal.\u003c\/p\u003e\n\u003cp\u003eA soundtrack for a journey away from the present time and into an intimate, maybe even nostalgic dimension.\u003c\/p\u003e","brand":"Avant! 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The label properly explains \"YOU.’s music up to this point has always pitted its more reflective elements against the austerity of electronics, not so much as to create a warm sound as to invite the listener in as respite from the cold\".\u003c\/p\u003e\n\u003cp\u003eBouquet is their fourth album and features nine new songs.\u003c\/p\u003e\n\u003cp\u003eIt is out June 6th on vinyl and digital.\u003c\/p\u003e","brand":"Avant! Records","offers":[{"title":"Default Title","offer_id":49886275010875,"sku":"LP-AV!-042","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/youlp.jpg?v=1736527645"},{"product_id":"pedestrian-deposit-austere","title":"Pedestrian Deposit - Austere CD","description":"\u003cp\u003eFive years in the making, and the first duo recordings -- a very, very calculated and controlled effort. 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Now I know you’re thinking it’s a funny name but believe me when I say it makes perfectly sense, in sort of weird, creepy way. Their music is pitch black layers of drones and male vocals with crystalline guitar arpeggios and otherworldly female vocals hovering in the acoustic space. Something dwelling among the most experimental peaks reached by Coil, Current 93 and Death In June. They have self-released few CDRs and one spilt 7” with Father Murphy in recent times on Boring Machines and Avant! Records. The self-titled debut LP (coreleased with Boring Machines again) is composed of six new tracks, the music is slow, distorted, rich in reverbs and low frequencies, suggesting deep and dark landscapes. It’s surely devilish and unsettling at first, but the melodies hidden in the drones tangle are peaceful and refreshing.\u003c\/p\u003e","brand":"Avant! 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So for a while they hibernated in a cave in Bastille that became the core and inspired the corrosive sound of this second EP «Distance».\u003c\/p\u003e\n\u003cp\u003eThe mixing was entrusted to Ben Greenberg, singer and bassist of The Men also producer of Destruction Unit, Beach Fossils and other Sacred Bones Record artists. The result is a six track EP that sounds closer to the vision of the band.\u003c\/p\u003e\n\u003cp\u003eSupported by a procession of ghosts like Fad Gadget's, Sad Lovers and Giants, the Dance Society's or Nitzer Ebb's ones, that the band resurfaces from the underground ready to shake the dead. The EP is like a heartbreaking beautiful reunion, which is mostly the case with the best rendez-vous.\u003c\/p\u003e\n\u003cp\u003e'Excellent, urgent French post-punk proper. Absolutely the right way to do this sort of thing - Exactly what you are looking for when you reach for melancholic, sexy, frantic, and unforgettable electronically singed post-punk in the vein of the greats but still shaping their own sound. Perfect!' -BH\u003c\/p\u003e","brand":"Avant! Records","offers":[{"title":"Default Title","offer_id":49886276223291,"sku":"LP-AV!-041","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/distance.jpg?v=1736527702"},{"product_id":"kinit-her-the-poet-the-blue-flower-lp","title":"Kinit Her - The Poet \u0026 The Blue Flower LP","description":"\u003cp\u003eThrough kaleidoscopic composition, constitution of voice, and timbral experimentation, Nathaniel Ritter and Troy Schafer continue to braid their string of works as Kinit Her. 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Falling in an undefinable territory of the post-industrial and neofolk landscapes with both strictly structured songlike fragments and more free-associative passages throughout its 8 tracks, this album features the exalted rhetoric that is Schafer’s stoic orchestral arrangements, Ritter’s tidal electronics and the continually evolving vocal deliveries of both men.\u003c\/p\u003e\n\u003cp\u003eLyrically \u003ci\u003eThe Poet \u0026amp; The Blue Flower\u003c\/i\u003e continues with Kinit Her’s recent bent of drawing on poetry from Germany’s early 20th Century post-romantic literary underground. With this record they drift slightly from Der Kosmikerkreis to the poems of literary and political philosopher Rudolf Pannwitz serving as their sole inspiration. Pannwitz’ poetry effortlessly escalates Kinit Her’s themes of the entanglement of Heaven, Earth, and those who believe to be dwelling in some intersection thereof.\u003c\/p\u003e\n\u003cp\u003eVisual accompaniment to Kinit Her’s music, as it was on the recent \u003ci\u003eThe Cavern Stanzas\u003c\/i\u003e, has been graciously provided by the brush of Gianluca Martucci.\u003c\/p\u003e","brand":"Avant! 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Six tracks of minimal and narrative industrial bedroom melodicism, intimately documented on 4-track cassette.\u003c\/p\u003e","brand":"Monorail Trespassing","offers":[{"title":"Default Title","offer_id":49886279991611,"sku":"CS-MT-109","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a2601647859_16.jpg?v=1736527760"},{"product_id":"torba-laavg-drjot-cs","title":"Torba - Laavg Drjot CS","description":"\u003cp\u003eTorba is Mauro Diciocia, an Italian soundworker based in Berlin. As with fellow countrymen Lettera 22, elements of musique concrete, noise composition and electro-acoustic tape music are fused to create something which feels like a truly living, breathing organism of physical intellectual sound, constantly active and engaging.\u003c\/p\u003e","brand":"Monorail Trespassing","offers":[{"title":"Default Title","offer_id":49886280089915,"sku":"CS-MT-112","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/mt112cs.jpg?v=1736527767"},{"product_id":"vat-a-pile-over-there-spoiled-milk-panties-cs","title":"Vat - A Pile Over There\/Spoiled Milk Panties CS","description":"\u003cp\u003ePrevious Vat efforts have focused on the classic 'americanoise' approach of scrap metal through distortion overload. 'A Pile …' sees Chris Conroy merging elements of that aesthetic with ideas normally reserved for his other project, Lungwash. Layers of metal abuse and feedback are processed through gritty fuzz and hiss signals, gaining intensity throughout the duration of each side.\u003c\/p\u003e","brand":"Monorail Trespassing","offers":[{"title":"Default Title","offer_id":49886280450363,"sku":"CS-MT-096","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/mt96cs.jpg?v=1736527798"},{"product_id":"sissy-spacek-prismatic-parameter-2cd-pre-order","title":"Sissy Spacek - Prismatic Parameter 2xCD","description":"\u003cp\u003eUncompromising large ensemble studio recordings from Los Angeles, 2016: John Wiese, Charlie Mumma, Bill Nace (Vampire Belt, Body\/Head), Martin Escalante, Ted Byrnes, and elders of the Los Angeles Free Music Society: Ace Farren Ford (Smegma), Joe Potts and Rick Potts (Airway, Le Forte Four). Recorded at Seahorse Sound by Samur Khouja.\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886280810811,"sku":"CD-GGGR-111","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/GGGR-111-Sissy-Spacek-Prismatic-Parameter-Cover-sq.jpg?v=1736527818"},{"product_id":"milliken-chamber-lily-of-the-valley-lp","title":"Milliken Chamber - Lily Of The Valley LP","description":"\u003cp class=\"tralbumData tralbum-about\"\u003eTechNoir1984 proudly presents the newly mastered and proper vinyl reissue of the debut recording from Michigan bred now L.A. based synth-pop duo, Milliken Chamber. Anna Schmidt (Jane Chain, Prudence) and Kevin Czarnik (Belladonna Grave, Denim, Forever Grey) have long been forging and sculpting to a laser precision their own modern approach to a timeless moody and atmospheric dark-wave drenched synth-pop sound. Cold, bleak, heavy, and brilliantly sequenced analog synth and drum tracks are laced with gorgeous and ghostly vocals over 5 songs of unforgettable arrangements. Perfect winter night drive music. A stunning debut saluting both their diverse musical and life experiences as well as the great influences of their past all while simultaneously giving forth great promise of what's to come.\u003c\/p\u003e\n\u003cp\u003eThis vinyl reissue is the debut release of the newly formed TechNoir1984 imprint, and features incredible updated art and new design re-purposing the original artwork from the band by Shea Hardacre. Featuring hand pasted, pro-printed Xerox covers and ‘virgin’ labels with insert. Limited to 200 copies.\u003c\/p\u003e\n\u003cp\u003e(MC-666)\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003ecredits\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003ereleases October 2, 2020\u003c\/p\u003e\n\u003cp\u003eOriginally released September 2017 on cassette by Starved Relations.\u003c\/p\u003e\n\u003cp\u003eWritten, performed, arranged, produced and engineered by Kevin Czarnik.\u003c\/p\u003e\n\u003cp\u003eLyrics \u0026amp; vocal melodies written \u0026amp; performed by Anna Schmidt.\u003c\/p\u003e\n\u003cp\u003eDrum programming and drum arrangement written by Kevin Czarnik\u003c\/p\u003e\n\u003cp\u003eMixed and mastered by Kevin Czarnik.\u003c\/p\u003e\n\u003cp\u003e2020 vinyl reissue master by Brandon Hill.\u003c\/p\u003e\n\u003cp\u003eCover \u0026amp; insert art \/ layout by S. Hardacre Design.\u003c\/p\u003e\n\u003cp\u003eInsert photos by Ehrynska\u003c\/p\u003e\n\u003cp\u003eDistributed by Fantastique\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/tornlightrecords.com\" rel=\"nofollow ugc\"\u003etornlightrecords.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"mailto:technoir1984music@gmail.com\"\u003etechnoir1984music@gmail.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e*LP copies ship by October 9th, 2020\u003c\/p\u003e","brand":"Tech Noir 1984","offers":[{"title":"Default Title","offer_id":49886281040187,"sku":"LP-TN84-666","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/MillikenChamber_LOTV_CoverSQUARE.jpg?v=1736527836"},{"product_id":"animal-hospital-fatigue-lp","title":"Animal Hospital - Fatigue LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003eKevin Micka has returned with his first full-length since 2009's Memory, Fatigue is a chronicle and culmination of the past 10 years of Micka creating live music for large ensembles. In his return to the recorded format, Micka collapses his exploded-view approach to composing and has created four laser-guided and utterly distinct pieces of music composed with vinyl’s inherent limitations in mind. Mastered by James Plotkin, Fatigue dives deep into layered microtonal passages and ping-ponging guitar samples and field recordings on “Framework” while album opener “Conditions” is a dense study of sustained tones that contain worlds of sound within its boundaries.\u003c\/p\u003e\n\u003cp\u003e“No Pressure” and the B-Side spanning “Absolute” bear resemblance to 2009’s Memory in their form. “No Pressure” is a stunning drone-blues composition that lets each passage hang heavy in the humid air before another riff rends a fresh hole in the stereo. “Absolute is a Kraut-inspired longplayer that recalls Cluster and LFZ in its patient but persistent build and neuron-rearranging guitar leads that swell, dissolve and reassemble as layers of oscillating tonal passages.\u003c\/p\u003e\n\u003cp\u003ePerhaps with the format’s eventual demise on the horizon, Animal Hospital has created a listening experience that pushes back and celebrates our relationship to the LP.\u003c\/p\u003e\n\u003cp\u003eMore Animal Hospital music lives here: \u003ca href=\"https:\/\/animalhospitalmusic.bandcamp.com\/\"\u003eanimalhospitalmusic.bandcamp.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cp\u003ereleased April 24, 2020\u003c\/p\u003e\n\u003cp\u003eLimited to 200 LPs. Pressed at 180 gram by New Orleans Record Pressing.\u003c\/p\u003e\n\u003cp\u003eMastered by James Plotkin.\u003c\/p\u003e\n\u003cp\u003eArt by Sean Micka.\u003c\/p\u003e\n\u003cp\u003eLayout and design by Dustin Bowen.\u003c\/p\u003e\n\u003cp\u003eMusic written and recorded by Kevin Micka.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886281302331,"sku":"LP-WSR-018","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a2543215727_10.jpg?v=1736527849"},{"product_id":"ezra-feinberg-john-kolodij-ezra-feinberg-john-kolodij-lp","title":"Ezra Feinberg \u0026 John Kolodij - Ezra Feinberg \u0026 John Kolodij LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003eBless whatever cosmic winds brought together this split between NYC guitarist and composer Ezra Feinberg and multi-instrumentalist John Kolodij. Traveling deep blue highways of the mind, their split LP opens up the stunning vistas that link these two artists in sound and texture. Their compositions offer an immersive headphone record that pairs rich guitar work – thick with droning overtones or riding heavy with in-the-red distortion – with bucolic woodwinds, brass, piano, strings and electronic processing. An album that finds both artists at peak form.\u003c\/p\u003e\n\u003cp\u003eEzra Feinberg\u003c\/p\u003e\n\u003cp\u003eEzra Feinberg is a guitarist, composer, and psychoanalyst living in Jackson Heights, NY. Feinberg was the founding member of the San Francisco psychedelic rock collective Citay, releasing albums on Important Records and Dead Oceans throughout the 2000s. As a solo artist, Feinberg has performed and toured near and far with Jefre Cantu-Ledesma, Steve Gunn, Alexander Turnquist, Cruel Diagonals, Daniel Carter, Jonas Reinhardt, Christopher Tignor, Kath Bloom, Robbie Lee, High Aura’d, Glasser, Ava Mendoza, Buck Curran, Real Estate, and many others, and has ongoing studio collaborations with Jefre Cantu-Ledesma\u003cspan class=\"bcTruncateMore\"\u003e and Arp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Kolodij\u003c\/p\u003e\n\u003cp\u003eThe multi-instrumentalist composer John Kolodij has been releasing music under the moniker High Aura'd for the past decade. He's released albums on TYPE Records, Whited Sepulchre, Unifactor, Debacle Records, \u0026amp; Bathetic which have garnered accolades from The Wire, Pitchfork, NPR and Tiny Mix Tapes.High aura'd has shared the stage with Loren Connors, Charlemagne Palestine, Susan Alcorn, Barn Owl, Angel Olsen, The Body, Deaf Center, Mary Halvorson, Scott Tuma, among many others. Collaborations with Angel Olsen, Jon Mueller, \u0026amp; Mike Shiftet, Andre Foisy\/Locrian, \u0026amp; JohnTwells\/Xela.\u003c\/p\u003e\n\u003cp\u003ecott Tuma, among many others. Collaborations with Angel Olsen, Jon Mueller, \u0026amp; Mike Shiftet, Andre Foisy\/Locrian, \u0026amp; JohnTwells\/Xela.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\"Feinberg and Kolodij have tended towards headphone records in the past, but this one is primed for listening in a personal bubble. They balance darkness with light in equal measures, creating a record that’s part new beginning, part tidal breath.\" - Raven Sings the Blues\u003c\/p\u003e\n\u003cp\u003e\"Both artists work patiently with sounds, staying present in moments that stretch on indefinitely, without seeming to long for resolution or catharsis. This is music for sitting absolute still, looking inward.\" - Dusted Magazine\u003c\/p\u003e\n\u003cp\u003e\"If you have any interest in the more textured zone where post-rock has bumped into its good friend, post-classical, even out-folk; the world of Talk Talk, of Rachel’s, others, then let’s just be saying this album might be one to build a nest in your head. It’s a very pretty thing that does much across the quartet of tracks it contains.\" - Backseat Mafia\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cp\u003ereleased August 28, 2020\u003c\/p\u003e\n\u003cp\u003eMastered by Rafael Anton Irisarri\u003c\/p\u003e\n\u003cp\u003eAlbum Art, Layout and Design by Daniel Murphy\u003c\/p\u003e\n\u003cp\u003eProduced at New Orleans Record Pressing\u003c\/p\u003e\n\u003cp\u003eEzra Feinberg\u003c\/p\u003e\n\u003cp\u003eEzra Feinberg - acoustic and electric guitars, piano, electronics\u003c\/p\u003e\n\u003cp\u003eRobbie Lee - flute\u003c\/p\u003e\n\u003cp\u003eJonas Reinhardt - Arp Odyssey\u003c\/p\u003e\n\u003cp\u003eProduced by John Thayer at Thump Studios\u003c\/p\u003e\n\u003cp\u003eJohn Kolodij\u003c\/p\u003e\n\u003cp\u003eJohn Kolodij - Guitars, organs, \u0026amp; electronics\u003c\/p\u003e\n\u003cp\u003eDylan Baldi - Saxophone on Geometry of Space\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886281367867,"sku":"LP-WSR-025","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a1598689568_16.jpg?v=1736527856"},{"product_id":"antlrd-sleep-drive-lp","title":"ant'lrd - Sleep Drive LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003eant'lrd, the name given to Colin Blanton, is responsible for scores of moving synth-landscapes of obscured inputs and high cloud ceilings. For Sleep Drive, Blanton called on Odd Nosdam (cLOUDDEAD, .anticon) to master the record, drawing out inherent melodies in the album's stunning ambient compositions and anchoring Sleep Drive's beat-oriented tracks by wrapping them in a palpable, warm vinyl crackle. The result is something to lose an entire afternoon in without the slightest sensation of lost time. A totem against procrastination and inattention.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003ePRESS:\u003c\/p\u003e\n\u003cp\u003eIMPOSE: \"For Sleep Drive, cLOUDEAD and .anticon’s Odd Nosam was summoned to master the record. ant’lrd creates long, moving synth music that has a certain ambience to it. It’s warm, it’s distinct, it leaves an impression. You almost have to listen to it in the right setting, say a rainy day, to get the best effect of ant’lrd’s compositions.\"\u003c\/p\u003e\n\u003cp\u003eADHOC: \"...The track plays out like some distant but definite spiritual offspring of rustically kosmische synth explorers Cluster. The video for \"Kasuisai\" follows a series of obscured but alluring\u003cspan class=\"bcTruncateMore\"\u003e images of nature, feeling not unlike a dosed walkabout or some pastoral waking dream.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTEXTURA: \" Pulsations gradually extract themselves from the murky undertow and contest the ambient mass for supremacy until a harmonious balance is struck between them. Ultimately, the pulsations recede, allowing the swirl to reassert its dominance and ease the listener out on a wave of blissed-out calm.\"\u003c\/p\u003e\n\u003cp\u003eTINY MIXTAPES: \"Sleep Drive is the spiritual cleanser that pushes away the graying clouds and allows a little sunshine to hit your cool, fall patch of land.\"\u003c\/p\u003e\n\u003cp\u003eLOST IN A SEA OF SOUND: \"The sounds Colin creates are a spectacular combination of organic electronics and root drone. Flowing through time, brilliantly rudimentary, seeking core feelings from all listeners. Divided into three tracks, the first side provides embryonic beats echoing across the humidly drenched edge where water and earth meets.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":49886281466171,"sku":"LP-WSR-002","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0178803713_10.jpg?v=1736527862"},{"product_id":"sandy-ewen-you-win-lp","title":"Sandy Ewen - You Win LP","description":"\u003cp\u003eWhile it’s relatively easy to refer to Sandy Ewen’s use of guitar as unconventional or abstract, the true nature of her work is much more exploratory in nature. The instrument functions as a canvas for Ewen’s ever-evolving arsenal of objects and ever-expanding techniques. Ewen has collaborated and performed with everyone from Henry Kaiser to Roscoe Mitchell, from Jaap Blonk to Lydia Lunch, from Keith Rowe to Tamio Shiraishi, from Damon Smith to Id M Theft Able, from Tom Carter to Weasel Walter, the list feels endless.\u003c\/p\u003e\n\u003cp\u003eEwen’s drive to create and perform is rivaled by few, and a healthy body of releases documents much of her work in both solo and group settings. However, “You Win”, represents her first solo appearance on the full length, vinyl format.\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886281695547,"sku":"LP-GGGR-099","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Sandy-Ewan.jpg?v=1736527882"},{"product_id":"tashi-dorji-john-dietrich-midden-lp","title":"Tashi Dorji \u0026 John Dietrich - Midden LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eWhile the hypothetical range of what the listener might expect from a record of free-improvised guitar playing is understandably gigantic, it’s not very often that what is heard so easily navigates across such a vast terrain. In their most often observed environments (Dorji’s relentlessly frequent solo and collaborative releases, Dieterich in the untamable and uniquely enchanting Deerhoof), both artists regularly redefine both themselves and what “guitar” playing may or may not be. On “Midden”, there is communication and expression that transcends the notion that two people can simply cross paths and play guitar together. Plenty of people do this, but few intersect so naturally and comfortably in this abstract of a context. While captured in the live setting, Midden is not the result of weeks of touring, fine tuning ideas and patterns. Instead, the LP is merely a document which archives the final of three chance meetings, in which two people engage in a natural dialog that at times is jagged and jarring while at others is mesmerizing and beautiful. Unpredictable yet completely organic, such a language is a joy to hear.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cp\u003ereleased September 3, 2019\u003c\/p\u003e\n\u003cp\u003eElectric Guitar – Tashi Dorji\u003c\/p\u003e\n\u003cp\u003eElectric Guitar – John Dieterich\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886281761083,"sku":"LP-GGGR-102","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Midden.jpg?v=1736527888"},{"product_id":"drew-daniel-john-wiese-continuous-hole-lp","title":"Drew Daniel \u0026 John Wiese - Continuous Hole LP","description":"\u003cp\u003eGilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and Baltimore, “Continuous Hole” melds improvisation and musique concrète composition into a uniquely sweaty document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Many of the tracks reflect the unique blending of the disparate backgrounds of its creators: on “Abhorred Shears”, “Sleek Disorder” and “Cosmic Joke” the relentlessly variable source material is relegated to precisely timed gated forms and patterns. Without using any sampling or MIDI sequencing, the rhythmic cuts evoke the tempo\/BPM of footwork\u003cspan class=\"bcTruncateMore\"\u003e, juke or gabber, but they are constructed entirely from volcanic, \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003egnarled abstraction, and eschew typical genre elements.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Progress Bar” goes from frantic cuts to weightless slo-mo freefall and back to frenzy. Moving from mayhem to menace, “Surprise” concludes the album with ominous flutters of a pedal steel guitar and the sound of a dog’s toenails scraping a stone floor. In the final milliseconds of the song, the dog leaps for the listener’s throat. Raw yet precise, it’s a dynamic conclusion to an album of strong contrasts from two American artists discovering common ground in the joy of frenzied cutting. A prolific recording artist and visual artist with an extensive discography under his own name, and with grindcore stalwarts Sissy Spacek, John Wiese is currently based in Cleveland. One half of the electronic band Matmos and all of The Soft Pink Truth, Drew Daniel is based in Baltimore.\u003c\/p\u003e\n\u003cp\u003eThe album was mastered by Thomas Dimuzio. The cover photograph was shot by John Wiese in Drew Daniel’s office on the campus of Johns Hopkins University where Daniel is a Shakespeare professor. Videos for album tracks are slated from John Wiese, Max Eilbacher, M.C. Schmidt, and Ola Vasiljeva. Summer concerts in support of the album are currently being planned\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886281924923,"sku":"LP-GGGR-091","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Wiese-Hole.jpg?v=1736527894"},{"product_id":"is-in-unsamble-is-the-belly-in-the-belly-lp-2","title":"Is In Unsamble - Is The Belly \/ In The Belly LP","description":"\u003cp\u003eIs the Belly \/ In the Belly: an old fashioned “jam session” with a deep but distant, natural room sound. Fluttering alto sax and calm, staccato trumpet slowly find their way: spelunking towards a center in which the organ \/ voice \/ homemade synth \/ radio \/ percussion blend and find their way back to the nervous outer world. They converge with strange but riveting vocals, slide guitar and record skips—mingled with the sounds of dinosaurs canoodling. Song forms rise and fall back against the river-like surface tension: a roaring tale is told, then slowly fades away to nothingness. The jacket art is a collaboration between Ju Suk’s squiggly line drawings and lines \/ angles \/ photocopy artifacts and lettering from James Fella. Recorded September 2015 at Smegma’s Studio in Portland.\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886282514747,"sku":"LP-GGGR-094","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/is-in.jpg?v=1736527907"},{"product_id":"soft-shoulder-conceptual-lp","title":"Soft Shoulder - Contextual LP","description":"\u003cp\u003eTwo months after the recent ‘Aerosol Can Stand’ 7”, James Fella’s long-running group Soft Shoulder returns with 10 tracks recorded throughout 2018-2019 at various live performances, at their practice space and in some cases, fragments of both settings collaged together at home. While not providing definitive versions of any new “songs”, Contextual Depreciation appears as a mile marker for the group’s approach in the late 2010s: jagged post punk, slow-churning junk-kraut from the Sonoran desert.\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886282580283,"sku":"LP-GGGR-104","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/soft-shoulder.jpg?v=1736527914"},{"product_id":"james-fella-inactive-parts-lp","title":"James Fella - Inactive Parts LP","description":"\u003cp\u003e\"Inactive Parts\" was a December 2014 installation at The Trunk Space in Phoenix, AZ consisting of paintings, screen printed xerox pieces, lathe cut 7\" records and two sets of two single-sided acetate LPs which used for a sound installation that could also function has \"instruments\" for a live performance. Two performances occurred: 12\/05\/14 (the opening reception, duration: 4 hours), 12\/20\/14 (for the Gilgongo Records 10 year anniversary event with Sissy Spacek, Stephen Steinbrink, Cherie Cherie and Maniac Cop (Mallevs), duration: approx. 30 minutes).\u003c\/p\u003e\n\u003cp\u003eThe majority of \"Inactive Parts\" consists of quiet, acoustic sound being played back at significantly amplified volumes (with some portions of tape collage using material from various tape recordings circa 2005-2008).\u003c\/p\u003e\n\u003cp\u003e\"Inactive Parts\" as a title is a reference to the standard time in which metal plates for pressing records are discarded if the customer does not repress or make arrangements for the plates to be shipped. The irony in this standard is that at the time of the finalized edit of this release, the typical turn time for an LP was more than 6 months from start to finish. As a person who's primary role in \"music\" is releasing records, this conflict in fine print and reality was\u003cspan class=\"bcTruncateMore\"\u003e mildly amusing, though it created an environment which had become problematic to the point that many peers who run labels were calling it quits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt seems only fitting that the final version of \"Inactive Parts\" has taken over 3 years to complete (though to be fair, I am largely to blame for many sporadic periods of slow movement).\u003c\/p\u003e\n\u003cp\u003e“Inactive Parts” originally appeared as “New Material”, an hour long piece which aired on Ricardo Wang’s “What’s This Called?” on KPSU in Portland, OR in August 2014. The content of that program, the acetate version and this final edition are all slightly different from one another.\u003c\/p\u003e\n\u003cp\u003eMuch appreciation in regards to this release goes to Ricardo Wang, The Trunk Space, John Wiese.\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886282711355,"sku":"LP-WM-004","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/James-Fella-Inactive.jpg?v=1736527927"},{"product_id":"shearing-pinx-poison-hands-lp","title":"SHEARING PINX - Poison Hands LP","description":"\u003cdiv\u003e\n\u003cp\u003eOn vinyl for the first time, the 2006 debut full length from Vancouver?s SHEARING PINX, ?Poison Hands?, was originally released as a 2×3″ CDr on Not Not Fun and CD on Gilgongo. This collection of songs still sounds fresh, with aspects of Unwound, Huggy Bear, Sleetmute Nightmute and Sonic Youth _ the material is abrasive and challenging but at the same time, not really all that rough on the ears (if you?ve trained them well enough).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886282875195,"sku":"LP-GGGR-072","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/SHEARING-PINX.jpg?v=1736527939"},{"product_id":"olivia-neutron-john-olivia-neutron-john-lp","title":"Mitchell Keaney - Head, Gut, Heart LP","description":"\u003cp\u003eFinally available again with new cover art and now packaged in a proper, high-gloss, jacket! ***original description: \"RAW, GLITTERING, PSYCHEDELIC ... OLIVIA NEUTRON-JOHN, is a NON-BINARY, POST-BRO one person music\/dance declaration of war on the accepted and the expected. The OLIVIA NEUTRON-JOHN LP won't be seen in any record stores. They won't know where to put it. There isn't any card, section, genre, that can contain it. The grooves barely fit on the album even … this is a record unlike any other. In an era when groups are formalistic recitations of previous groups, loathe to show any personality, innovation, or opinion – for fear of jeopardizing a future career in sales or politics – OLIVIA NEUTRON-JOHN is a vital bolt from the blue, a radical arrival which signals something outside of noise, punk, disco, pop …Appearing fully formed, without a note or groove out of place, the O N-J record is a total statement; something brand new, a strike against complacency, a challenge thrown at the content-less stagnation of modern indie, garage, and whatever other tiresome genre exercises are being paraded around at the corporate festivals. Combining two cassette only releases by O N-J, (INJURY TRAIN AND I'M NEVER GETTING OFF IT \u0026amp; VULNERABILITY), O N-J's debut vinyl album captures the intensity of the same live performance that's transfixing audiences coast to coast. OLIVIA NEUTRON-JOHN is ANNA NASTY (CHAIN \u0026amp; THE GANG, VEGETABLE) on keyboards, voice, saxophone … joined on the LP by MISHA POLESHCHUK (NO BABIES) on saxophone for this chunk of pure Casio crystal.\" - Ian Svenonius.\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886283039035,"sku":"LP-GGGR-109","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/R-6223246-1414106303-5625.jpg?v=1738636721"},{"product_id":"john-collins-mccormick-ad-for-nails-lp-2","title":"John Collins McCormick - Ad For Nails LP","description":"\u003cdiv\u003e\n\u003cp\u003eThe work of John Collins McCormick straddles sculpture and music by using sound as material to highlight the ability of sound to change scale through visual and sonic rhythms and textures.\u003c\/p\u003e\n\u003cp\u003eWhat is heard is generated by small objects, percussion and electronics – interactions occurring in the realm of art and noise: a McCormick performance may consist of repurposed motors, clutter jostling on exposed speakers or something familiar from your office rolling across floor in an unfamiliar way.\u003c\/p\u003e\n\u003cp\u003eAd For Nails functions as a sort of audio diary, finding these types of sounds woven between field recordings, captured conversation and old-fashioned drum kit. McCormick’s LP offers a peak into his sonic world and how these pieces of it may be heard (including the types of moments in which we instinctively feel there may be nothing to hear at all).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886283202875,"sku":"LP-GGGR-098","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/John-Collins.jpg?v=1736527956"},{"product_id":"waxy-tomb-imminent-fold-lp-2","title":"Waxy Tomb - Imminent Fold LP","description":"\u003cp\u003eLP includes a 25 page full-color art booklet. Amorphous and perplexing, Jules Litman-Cleper’s work as Waxy Tomb can incidentally incite a notion of chaos or randomness in the foreground while expressing a series of distilled dialogs that are best understood while digesting the project as a whole. On a surface level, “Imminent Fold” may seem like a playful exhibition of alien commentary ? guided by colliding textures and electronic anomalies. This material, in conjunction with her visuals, functions as a field report on the intrusion of industrial and urban landscapes and digital processes on the fabric weaved by natural structure.\u003c\/p\u003e\n\u003cp\u003eJules Litman-Cleper is a Bay Area native and has been offering multi-media performances and releasing work under the Waxy Tomb guise since 2011. “Imminent Fold” is the first appearance on the LP format and is a 40 minute dive into this petri dish, with a high-quality book of imagery created as an equally important visual accompaniment to the record.\u003c\/p\u003e\n\u003cp\u003eRIYL: the place that is slightly further out than the most left field releases from the early years of Rough Trade, Subterranean or Mute, while finding sporadic comradery with the likes of Laurie Anderson, Metalux and Inflatable Boy Clam\u003c\/p\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":49886283235643,"sku":"LP-GGGR-096","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/WAXY.png?v=1736527963"},{"product_id":"order-of-nine-angels-mark-of-the-beast-lp","title":"Order Of Nine Angels - Mark Of The Beast LP","description":"\u003cp\u003eDebut album and first release from Order Of Nine Angels since 2013's 'Black Triangle Void'. This album is a massive jump from earlier recordings by this project of J. Wood Serpent 777, also known as Grinning Death's Head, Masks Of Canaan, Fallow Field, Satan's Din, etc.Mastered \u0026amp; cut by Rashad Becker @ Dubplates \u0026amp; Mastering\u003c\/p\u003e\n\u003cp\u003eArtwork by Reuben Sawyer Rainbath Visual\u003c\/p\u003e\n\u003cp\u003eEdition of 233\u003c\/p\u003e\n\u003cp\u003eincludes digital download\u003c\/p\u003e","brand":"Total Black","offers":[{"title":"Default Title","offer_id":49886287659323,"sku":"LP-TB-084","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a2609947283_10.jpg?v=1738883274"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/collections\/nspy-resources-9all_53e95a7f-5905-4727-9268-b8356b10f096.png?v=1736700915","url":"https:\/\/clandestinedistribution.com\/collections\/all.oembed?page=23","provider":"Clandestine Distribution ","version":"1.0","type":"link"}