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The album also comes amid the longest stretch Mohan has spent in one place since she left home at 16 to hop freight trains and hitchhike across North America\u003c\/span\u003e\u003c\/p\u003e","brand":"Egghunt Records","offers":[{"title":"Default Title","offer_id":49886586863931,"sku":"LP-EHR-059","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Time_Is_A_Walnut_by_Hannah_Mohan.jpg?v=1736540989"},{"product_id":"molly-drag-touchstone-lp-ehr034","title":"Molly Drag - Touchstone White LP","description":"\u003cp\u003eReleased on October 4th, 2019\u003c\/p\u003e\n\u003cp\u003eAll songs written, recorded, and produced by Michael Charles Hansford in Montreal during the fall\/winter of 2018\u003c\/p\u003e\n\u003cp\u003eMastered by Gregory Gendron @ Marvinhouse Studios\u003c\/p\u003e\n\u003cp\u003eFront artwork by Ila Kellermann \/ back photo from Huronia Museum Midland\u003c\/p\u003e\n\u003cp\u003e\"This album is dedicated to the strong women in my life who raised me and made me who I am today being my grandmother Brenda, my mother Ainslie, and Ila.\"- Molly Drag\u003c\/p\u003e","brand":"Egghunt Records","offers":[{"title":"Default Title","offer_id":49886587093307,"sku":"LP-EHR-034","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0072819412_10.jpg?v=1736541003"},{"product_id":"dan-melchior-the-backward-path","title":"Dan Melchior - The Backward Path CD","description":"\u003cp\u003eThe Backward Path marks a departure for Dan Melchior in a number of ways. It is his first album to feature other musicians since his time with the Broke Revue, and it also marks a change in his songwriting methods, with more heartfelt sentiments being expressed rather than the usual flood of snide non sequiturs. It is also a quieter album, without much of the “did he mean it to sound like that?” sonic onslaught of Catbirds and Cardinals.\u003c\/p\u003e\n\u003cp\u003eDan’s wife Letha Rodman Melchior was diagnosed with cancer in late 2010, and since then the couple has been on something of an emotional roller coaster. This comes through in the lyrics of the songs on The Backward Path and is augmented beautifully by the contributions of C. Spencer Yeh (violin), Haley L. Fohr (vocals), Anthony Allman (keyboards), Ela Orleans (vocals, keyboards and guitar), and Sam Hillmer (Saxophone).\u003c\/p\u003e\n\u003cp\u003eThe vocal pieces are broken up with instrumentals that are nearest in tone to the “songs” on Dan’s acclaimed LP on Kye, Excerpts and Half Speeds, giving some room for the vocal pieces to sink in. The final result has more in common with Sister Lovers than Guitar Wolf, and we hope you will find this decidedly adventurous, but emotionally engaging music as satisfying as Dan found it to make.\u003c\/p\u003e\n\u003cp\u003eAnthony Allman – keyboards, Haley L. Fohr – vocals, Sam Hillmer – saxophone, Ela Orleans – vocals, keyboards, guitar, C Spencer Yeh – Violin, All other instruments – Dan Melchior\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886601150779,"sku":"CD-NS-028","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0406136949_10.jpg?v=1736541488"},{"product_id":"various-artists-clandestine-cassette-series-four","title":"Northern Spy Records - Clandestine Cassette Series # Four","description":"\u003cp\u003ePart four of the Clandestine Cassette series comes at you with whopping 90-minutes of music to further excel the gaul-laden flamboyance of second annual Spy Music fest. Two weeks of shows; fantasy driven collaborations; signature beers; limited edition lavender 7-inches – a 90-minute cassette is but another cog in the Northern Spy machine, one that should not be overshadowed by the vibrant big picture. 5,429 seconds (the actual runtime is 90-minutes and 29-seconds) of virgin sounds created by eight artists appearing at the festival leaves you wondering: could I ask for anything more? The answer to that comes in the form of another question: would you expect anything less?\u003c\/p\u003e\n\u003cp\u003eFeatured Artists:\u003cbr\u003e\nRhys Chatham, Gold Sparkle Band, Arthur Doyle \u0026amp; His New Quiet Screamers, K-Salvatore, Rhyton, Diamond Terrifier, Tom Carter\/Pat Murano, PC Worship, Starring, Colin L Orchestra (with Guardian Alien), Chris Forsyth, Steve Gunn, Bird Names\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886603968827,"sku":"CS-NS-029","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Screen-Shot-2017-03-25-at-6.37.56-PM.png?v=1736541505"},{"product_id":"dan-melchior-catbirds-cardinals","title":"Dan Melchior - Catbirds \u0026 Cardinals CD","description":"\u003cp\u003eCatbirds and Cardinals is the latest psychedelic album lobbed in to New World shores from Dan Melchior und das Menace. Coming down slow with a clear vision, it’s a sure hit. Since the late 90s, Shepperton, England native Dan Melchior has consistently delivered an avant-pop that is off-kilter and literate, with a sense of menace and a stronger sense of play. He’s a new Jesus of Cool, riding just about the underground like the antipodean Chris Knox. The sound of Catbirds and Cardinals is clean, lo-fi, deeply-engaging, and guaranteed to pull in new legions of fans. It’s a clever garage pop set that will lick your pate clean.\u003c\/p\u003e\n\u003cp\u003eOn Catbirds and Cardinals, Dan Melchior und das Menace successfully meld a hodge podge of disparate elements into a cohesive whole, bringing to mind veteran UK and US underground bands like The Swell Maps, Andrew Klimek, Chrome and Alternative Television more than they do old blues men or the tweedy garage rock conservatives of Dan’s past.\u003c\/p\u003e\n\u003cp\u003eCatbirds and Cardinals is probably the most overtly ‘poppy’ Das Menace release, with songs like ‘Poison Pete’s Holiday’ and ‘English Shame’ lodging in the cranium like carpet warehouse jingles. The recordings retain the overdriven quality Melchior is known for but push the envelope sonically into some unexpected places, with the dream like synths of ‘Crow Radio number 1′ showing a marked departure from the overall guitar grime.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886606459195,"sku":"CD-NS-011","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a3675785098_10.jpg?v=1736541578"},{"product_id":"bird-names-metabolism","title":"Bird Names - Metabolism: A Salute to the Energy of the Sun CD","description":"\u003cp\u003eThe latest release by the fringe pop outfit Bird Names is another bright star in their galaxy of offerings.  The album, Metabolism: A Salute to the Energy of the Sun, was created meticulously over the course of many moons and spiritual awakenings in sunny Chicago, IL.  The band is a duo, of sorts, comprised of Phelan LaVelle \u0026amp; David Lineal, though a cast of good souls have helped them along their travels.  Recently making Athens, GA their home, they explore a pop sound that touches as much on the naïve as it does the borders of avant-experimentation.  Their new album, mastered by Griffin Rodriguez (Icy Demons, Beirut, Band of Horses), is a lo-fi, boundary-pushing, pop experiment in the vein of the Beach Boys’ Smile. It is a fully-realized reflection on the sun and the fount of organic energy, or human energies, as the speech of the sun.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886607475003,"sku":"CD-NS-006","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/51wIDlcryqL._SS500.jpg?v=1736541608"},{"product_id":"old-ghost","title":"Renata Zeiguer - Old Ghost LP","description":"\u003cp\u003eRenata Zeiguer's debut album Old Ghost is the sound of someone finding and losing herself in the endless dance of fear and forgiveness. Renata is a composer, her music deep and complex. With secretly wise melodic constructions, she tempts the listener toward forbidden insights, resurrecting her childhood fascination with classical music. The ghosts of Ravel, Debussy, and Chopin run through her veins, whirling with Billie Holiday, Os Mutantes, The Pixies, and Yo La Tengo. She grew up in two worlds: Riverdale, New York, near the Bronx, and Buenos Aires, the land of her father, torn between the clear expectations of piano lessons in Yonkers, and the Dionysian passions of Argentine tango. Possessed by musical inquiry, she moved to New York City, performing throughout her 20s with bands Ava Luna, Widowspeak, Mr. Twin Sister, Mutual Benefit, Christopher Burke, Relatives, Quilt, and Cassandra Jenkins, while spilling her own haunted refrains in lonely Brooklyn apartments. Her music is stained with the brutality of battling oneself, and yet the pulse of love echoes throughout like a mystical wind.\u003c\/p\u003e\n\u003cp\u003eArrangements by Renata Zeiguer, Jason Burger, Adam Brisbin, and Christian Carpenter.\u003c\/p\u003e\n\u003cp\u003eProduced by Adam Schatz and Renata Zeiguer.\u003c\/p\u003e\n\u003cp\u003eEngineered and Mixed by Jake Aron at Figure 8 and Doctor Wu's, Brooklyn, NY.\u003c\/p\u003e\n\u003cp\u003eRecorded at Figure 8, Black Lodge Recording, and home, all in Brooklyn, NY.\u003c\/p\u003e\n\u003cp\u003eMastered by Chris Gehringer.\u003c\/p\u003e\n\u003cp\u003eCover photo by Chris Weiss.\u003c\/p\u003e\n\u003cp\u003eDesign and layout by Renata.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP","offer_id":49886608687419,"sku":"LP-NS-095","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0430570891_10.jpg?v=1736541659"},{"product_id":"zion","title":"Wilder Maker - Zion CD","description":"\u003cp\u003eJames Joyce once said that if all of Dublin was destroyed, they ought to be able to rebuild it brick by brick just from reading his novels. Wilder Maker’s Zion is the first chapter in a musical novel that makes the same claim for Brooklyn, NY. Written by guitarist \/ saxophonist \/ singer Gabriel Birnbaum and brought to life with long time collaborators Katie Von Schleicher, Nick Jost (Baroness), Adam Brisbin (Sam Evian, Jolie Holland) and Sean Mullins, Zion is a kaleidoscopic snapshot of years hustling for a break in New York City: waking up at 5 am to pour coffee for the brownstone-owning elite, waiting for a drug dealer on a city bench outside a blurry house party, moving catastrophically from apartment to apartment in the garbage scented heat, glimpsing euphoria through the ritual of taking your place among the anonymous crowd at a music festival, having your heart shattered in front of an audience at a bar, drunkenly contemplating bodega window displays, circling ever closer to something that could either be perfection or the drain, depending on the day.\u003c\/p\u003e\n\u003cp\u003eLast year’s Saddle Creek single \"New Streets\" showcased the band in their poppiest Fleetwood-Mac-channeling mode, breezy summer jams for driving with the windows down, and it got them noticed by NPR, SPIN and Stereogum, but Zion hugely expands their palate of tools. Its influences run from classic 70’s Dylan to blown out free jazz saxophone, from Dr. John’s swampy psychedelia to Ethiopian sounds picked up from Birnbaum’s many years as a member of Debo Band, with hints of Coltrane’s classic quartet and nods to The Velvet Undergound. Zion is an omnivorous record. Its wide-ranging influences have been hinted at throughout Wilder Maker’s adventurous catalogue of self-released material but never explored so fully, or with this kind of wild energy and unclassifiable groove. This is a record to dance to, to cry to, to sing along to, maybe all three at once.\u003c\/p\u003e\n\u003cp\u003eLead vocals are traded casually back and forth by Birnbaum and Von Schleicher, who sing the kind of natural kinship you only get from almost a decade of working together, with Mullins and Jost forming a perfectly locked in core for them to float over, handling the odd-meter twists and turns of “Cocaine Man” and the backbeat strut of “Closer to God” with the same easy skill. Inspired as much by books by Rachel Kushner, Karl Ove Knausgaard, and Frank Stanford, the lyrics examine both dramatic and mundane moments, finding a way to infuse the everyday with as much meaning as the extraordinary, to find a metaphor in sun-bleached soda labels, tentative teenage dancers and halal carts.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886608982331,"sku":"CD-NS-101","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a1608921332_10.jpg?v=1736541671"},{"product_id":"old-rockhounds-never-die","title":"Odetta Hartman - Old Rockhounds Never Die CD","description":"\u003cp\u003eOdetta Hartman’s second album Old Rockhounds Never Die is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.\u003c\/p\u003e\n\u003cp\u003eDrawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company (“Cowboy Song”), to experiencing the intense natural beauty of Icelandic waterfalls (“Dettifoss”), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.\u003c\/p\u003e\n\u003cp\u003eRaised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colorful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB's. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax.\u003c\/p\u003e\n\u003cp\u003eLomax is writ large on Old Rockhounds... at least in spirit anyway. Odetta plays all the instruments on this and her debut 222, which made problematic the changeovers between songs when playing live. Field recordings the singer had collected on her travels were utilized to make such transitions seamless, and so successful was that intermingling of songs and soundscapes that they’ve transitioned into the recording process. It makes for a strangely intimate listen: tingly and a little tipsy: an album for twilight, sitting within the nocturnal hinterland between dusk and somnambulance - candlelit and confidential - a time for stories and secrets.\u003c\/p\u003e\n\u003cp\u003eSo far, so old skool. And yet, Old Rockhounds Never Die also embraces modernity without ever sounding incongruous. The mix of manipulated 21st century beats and the musical traditions of centuries meet at a crossroads and consummate their curiosity without inhibition. It’ll probably not surprise anyone listening to the album then that its a co-production. Odetta writes and performs all the songs while her partner Jack Inslee is in the background bringing the dark arts. Experimenting with found sounds \u0026amp; foley, the two have developed a sonic vernacular built around playing around with a-typical instruments. Hartman explains: “Many of the beats on the album were recorded in the kitchen: the snare sound is actually a running faucet, or if you hear these glockenspiel bells that's actually a set of kitchen bowls. Other percussive elements include scissors, a pepper grinder and keys on the radiator.”\u003c\/p\u003e\n\u003cp\u003eHartman was performing in a 10-piece band when she met Jack, who then challenged her to strip everything back and explore her own singular talent. The first fruits of this experiment were borne on the aforementioned, critically acclaimed 222. In 2015, Stereogum said: “Her impulse to mix elements of folk, bluegrass, and Americana with experimental or warped psychedelia is bridged by her strength as a lyricist, and the strength of the record’s producer Jack Inslee.” Old Rockhounds... takes the blueprint and improves upon it, with songs yet more vivid, sensual and cinematic. “Widow’s Peak” in particular is peak Hartman, a spooky tale that came to her like a bolt of lightning one day. It’s a gorgeous lullaby that builds stealthily, then - like a levee of violins rather than water - it bursts forth. That special moment was actually originally a mistake in the studio.\u003c\/p\u003e\n\u003cp\u003e“It was a happy accident,” says Odetta. “We played back all of the test takes together by mistake and fell in love with the wall of sound. I love mistakes in songwriting or recording, because they so often lead to something greater.” The title track, meanwhile, came as a moment of inspiration that seemed to also come from another place. If the singer was the vessel, then luckily Jack was on hand with the tape rolling. Odetta explains:\u003c\/p\u003e\n\u003cp\u003e“Jack and I were working on something else; it was pretty late at night, a couple of whiskey's in, and I was strumming this shitty backpacker guitar. Thankfully Jack ran the tape, because that track is completely improvised; it just came off the bat. You can even hear me laughing at the end! I think the melody is really catchy and I was doing something with my voice that I'd never done before - kind of jumping up the octave in that old country yodelling style.\u003c\/p\u003e\n\u003cp\u003e“I re-tracked with a real guitar, wrote different lyrics that were a little more clever, but ultimately you just lose the magic when you try to recreate something so raw like that. Maybe most artists wouldn't start their record with a scratch take of a demo, but for me it just emphasizes that I never take myself too seriously and I always try to have fun.”\u003c\/p\u003e\n\u003cp\u003eIf fun is the operative word, then it should also be noted that Old Rockhounds Never Die is an album featuring a dust-bowl murder ballad called \"Misery\" replete with gunshots. With Odetta Hartman it's always about those beautiful contradictions.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886609735995,"sku":"CD-NS-100","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a4027255447_10.jpg?v=1736541703"},{"product_id":"please-advise","title":"Beauty Pill - Please Advise CD","description":"\u003cp\u003eThe title of this record was inspired by our circumstance. Please Advise is a liminal work. A document of a time of uncertainty and fragmentation.\u003c\/p\u003e\n\u003cp\u003eI'm proud of this record, but it's not perfect. I will go one step further: I'm proud of this record because it's not perfect.\u003c\/p\u003e\n\u003cp\u003eAll I wanna do is keep moving. Please Advise meets this criterion. For me, at least.\u003c\/p\u003e\n\u003cp\u003eI hope people find it valuable.\u003c\/p\u003e\n\u003cp\u003eWe named our record PLEASE ADVISE after producer Teo Macero’s famous 1969 memo to Columbia Records about Miles Davis (“Miles just called and said he wants this album to be titled BITCHES BREW. Please advise.”) It’s darkly funny to us now, but I bet it wasn’t funny to Teo then.\u003c\/p\u003e\n\u003cp\u003eI find that memo to be encouraging. Even in working with an artist as brilliant and masterful as Miles Davis, there were moments of uncertainty and maybe even panic. Like “What is this motherfucker doing?” panic.\u003c\/p\u003e\n\u003cp\u003eThere's probably no aesthetic connection between Miles Davis and Beauty Pill, but that memo makes me feel better about my own path. It’s okay if sometimes I don’t know what I’m doing. It’s okay if sometimes you don’t know what I’m doing either.\u003c\/p\u003e\n\u003cp\u003eThe paradox of any artist’s life is you need to cultivate confidence AND humility to survive.\u003c\/p\u003e\n\u003cp\u003eBut you know what? That’s the paradox of your life too.\u003c\/p\u003e\n\u003cp\u003eThanks for listening.\u003c\/p\u003e\n\u003cp\u003eChad Clark\u003cbr\u003eWashington, DC\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886615044411,"sku":"CD-NS-128","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/BeautyPill_PleaseAdvise_5x5_300dpi-SQUARE-e1646418786664.jpg?v=1736541835"},{"product_id":"thejoysofforgetting","title":"Allegra Krieger - The Joys Of Forgetting CD","description":"\u003cp\u003eMost often, forgetting can feel like a failure—a missed birthday or a neglected anniversary. But forgetting can also mean freedom, an unburdening from past twinges of pain. On her debut album, The Joys of Forgetting, Allegra Krieger embraces the idea of forgetting as relief.\u003c\/p\u003e\n\u003cp\u003eGrowing up in suburban Florida, Krieger was raised staunchly Catholic. Much of her childhood was spent in a church, where she also studied classical piano and sang in the choir. Although she was encouraged to pursue a consecrated life, she chose a different path, dissociating from religion. The following years brought continual transitions of personhood and place. From housekeeping at a Death Valley motel, to tree-planting in Georgia, she explored different sides of herself, chasing ideals yet avoiding certain truths. As she reckoned with her own malleability, she came to understand the value of leaving something behind. The solitude and disenchantment that accompanied this lifestyle gave way to introspection, yielding the songs that became the Joys of Forgetting.\u003c\/p\u003e\n\u003cp\u003eLike memory itself, Krieger’s personal growth ebbs and flows across The Joys of Forgetting. She makes for an inviting companion as she connects the nonlinear dots on her journey. She lays her feelings and desires plain as she unfolds them: to find someone to confide in, to talk on the telephone, to catch up with a friend. She learns to seek comfort in patience, finding that affection is easy, but loving takes time. Her arrangements are elegant and unobtrusive, skirting her crystalline voice with acoustic guitar, curling strings, and percussion that gently tumbles. And though Krieger makes a strong case with her Joys of Forgetting, her songs leave a lasting imprint that’s a pleasure to recall over and over again.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886615273787,"sku":"CD-NS-125","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a3031056052_10_3ff74cd3-a268-4dfc-b870-a68cb93679e6.jpg?v=1737495738"},{"product_id":"you-and-me-and-everything","title":"Tōth - You And Me And Everything CD","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen Alex Toth wrote his debut solo album, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePractice Magic \u0026amp; Seek Professional Help When Necessary\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, he was recovering from a broken foot and a broken heart. Toth was stuck in his apartment and struggling to process the end of a nearly 12-year-long romantic partnership with his Rubblebucket bandmate Kalmia Traver, so he did what he normally does to process his thoughts: write music. Taking the advice of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePractice Magic \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eto heart, he enrolled in his fourth silent meditation retreat in three years and began to accept the open-endedness of love. Toth wound up writing over 100 songs in that period, chronicling a path to healing from grief and addiction and learning what it means to share yourself with someone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThat exercise opened the floodgates. Toth fell in love anew, wrote the mantra song “You And Me And Everything,” and went for a bike ride while it played on repeat in his head. The next thing he knew, his chronic anxiety melted into bittersweet melancholy and he was crying at the sight of a flock of birds flying out of a tree. If indulging the human instinct to pair bond seemed risky, then at least it came with the perspective to see life as an expansive wealth of experiences, big and small.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, his second solo album as Tōth, he dives headfirst into what it means to accept things beyond your control, especially when feeling stuck in a place of heartache and sorrow. Across these 12 songs, Tōth turns to Buddhism as refuge. The sense of calm it brings him sounds like an infinite indie rock landscape, stretching from bossa nova guitar riffs to cushioned horn swells and earnest piano runs, each one bleeding into the other naturally while maintaining an overarching sense of clarity. Mixed by Grammy-winning producer Noah Georgeson (Joanna Newsom, Devendra Banhart, Cate Le Bon), \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003erecalls the fluid technical prowess of Chet Baker \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eor Alice Coltrane\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, all open-ended verses with woozy improvisation and palpable heart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTōth divides his talent across guitar, piano, synths, trumpet, and drum machine, but arguably his biggest musical strength is his voice. With a gentle delivery, subtle rasp, and surprisingly vast range, his distinct singing style recalls that of Arthur Russell. It allows Tōth to traverse through vulnerabilities with a mix of honesty and curiosity. When he depicts the knotted tangle of falling in love, experiencing suicidal ideation, coming face-to-face with cancer, and healing through grief at the core of these songs, he does so with a ray of sunshine tucked in his pocket. Even the saddest tracks offer a reason to carry on. Perhaps it’s because of Tōth’s conversational lyrics (“Thank you for making everything totally meaningless, beautiful narcissus\/ I too am just a daffodil \/Slave to the breezes blow me to pieces till I am nothing,” he sings on “Daffadowndilly”) which create an atmosphere of camaraderie between him and the listener.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInspired by the creative energy of friends and collaborators like Kimbra and Adrienne Lenker, Tōth gets to showcase his strengths as a singer-songwriter in new ways on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything. \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn “Turnaround (Cocaine Song),” a recounting of one of the lowest points of his life, he fashions detailed snapshots of funerals and alcoholism into motivation for self-improvement. Later, the enormous “I Might Be” hits like an uptempo Bon Iver remix, complete with stacked vocal coos and a buoyant bass line that begs you to dance. Then there’s “Butterflies,” a bite-sized ode to chronic anxiety as the ying to joyful vibration’s yang, a sentiment he mirrors with crashing symbols and an exaggerated vocal slide. Throughout it all, Tōth never loses sight of his sense of humor. On “Guitars Are Better Than Synthesizers For Writing Through Hard Times,” he uses it to balance out an otherwise bleak moment. “My ex just broke up with the person they broke up with me for\/ Three years later and at the same time as I’m falling in love,” he sings. “The breakup album I made about her isn’t even out yet.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ewas created during a period of deep transformation and self-discovery for Tōth. He finally understood on a deeper level that in order to share yourself with someone else—with some modicum of happiness—you have to learn how to love yourself. The album sees him embrace relationships as an experiential journey in real time, even if they have the potential to result in dissolution or depression. To paraphrase “I Might Be,” if love is impossible to define, then you might as well dance together until the music stops. Tōth not only figured that out, but he brought that truth to life through song, too — and with \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, he’s inviting you to join him on that unpredictable, fulfilling ride. \u003c\/span\u003e\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886616387899,"sku":"CD-NS-138","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/NS138-To_CC_84th-cover-e1612209882327.jpg?v=1736541885"},{"product_id":"instant-night","title":"Beauty Pill - Instant Night Transparent CD","description":"\u003cp\u003eThe title track to Beauty Pill's new EP, \u003ca href=\"https:\/\/www.youtube.com\/watch?v=73LJV8CBdM0\"\u003e\"Instant Night,\"\u003c\/a\u003e was originally written by bandleader Chad Clark in 2015 after he watched Ann Coulter, as a guest on Real Time with Bill Maher, predict that Donald Trump would win the 2016 US presidential election. The Washington, D.C. based artist recorded and surprise-released the single in October 2020 out of urgency to inspire people to vote in the presidential election. Because the song was being recorded during the pandemic, and because Clark has an artificial heart that puts him at high risk for COVID-19, it was recorded on a rooftop, with meticulously planned social distancing.\u003c\/p\u003e\n\u003cp\u003e\"Instant Night\" is Beauty Pill's first single without drums, and it is also the first Beauty Pill song to conspicuously highlight the band's woodwind quartet. The single was released alongside a music video featuring time-lapse footage of Trump, Lindsey Graham, and Mitch McConnell being drawn and depicted as monsters. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=73LJV8CBdM0\"\u003eThe video\u003c\/a\u003e was created and directed by the artist \u003cex-beauty\u003e Ryan Nelson.\u003c\/ex-beauty\u003e\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003eOf \"Instant Night,\" Beauty Pill's Chad Clark says:\u003c\/p\u003e\n\u003cp\u003eLast year I came to my band with a song called “Instant Night.”  I was nervous about presenting it to them.\u003c\/p\u003e\n\u003cp\u003e“This one is unusual.  There are no drums and it kinda sounds like Philip Glass music.  I don’t know where it came from exactly.  I wrote it a few years ago, but I think we should do it now. I think it’s kind of urgent, actually.”\u003c\/p\u003e\n\u003cp\u003eBeauty Pill is not a dictatorship.  The people in my band are all strong-willed artists themselves and they don’t just agree to do whatever I tell them.  Not every idea gets ratified, trust me.\u003c\/p\u003e\n\u003cp\u003eBut they seemed to quickly understand the song and understand the reason why I wanted to do it.  Remarkably, it took us only a few hours to develop and learn the arrangement that you hear now.  It came together almost magically.  And it felt natural.\u003c\/p\u003e\n\u003cp\u003eThe next step was convincing our label Northern Spy to rush-release the song before the election of 2020.  The label staff had a full docket of planned releases with other artists at that point. This was certainly an unwelcome request.\u003c\/p\u003e\n\u003cp\u003eI’m sure the label was privately exasperated with this request, but they understood why it was an important song for that moment.  “Instant Night” was released ly a couple weeks before the November election.  It was a complete surprise to Beauty Pill fans.\u003c\/p\u003e\n\u003cp\u003eListen, I operate under no delusions that my little arty DC post-punk band brought about the downfall of Donald Trump.  But I do think we contributed in a tiny, granular way.\u003c\/p\u003e\n\u003cp\u003eThe last words of the song are “Scared is alright” and I think everyone who heard it, felt it.  I do think that America was teetering on the edge of a very frightening plunge into the obliteration of pure fascism and bigotry at that moment.  And I think voters narrowly averted that crisis.\u003c\/p\u003e\n\u003cp\u003eThe lyrics of “Instant Night” are insinuating and allusive, not topical. It’s only a political song in the way that Dylan’s “A Hard Rain’s Gonna Fall” or Public Enemy’s “Fight The Power” are political songs. People call them “protest songs,” but neither of those songs is as specific as people think.  Go back and listen again.  They’re pretty abstract!  They are more poetic than polemic.  I see “Instant Night” as existing within that spectrum too.\u003c\/p\u003e\n\u003cp\u003eAnd I think it will last.\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003eOf the EP's send single, \u003ca href=\"https:\/\/music.beautypill.com\/bettermind\"\u003e\"You Need A Better Mind,\"\u003c\/a\u003e Clark says:\u003c\/p\u003e\n\u003cp\u003eThe Roland TB-303 is an old Japanese synthesizer that was designed to convincingly mimic the sound of a bass guitar.  It was introduced in 1981, it sounded like a toy and failed miserably, and it was ultimately discontinued in 1984.\u003c\/p\u003e\n\u003cp\u003eIt makes freaky, wiggly, cartoony sounds.  It sounds fuck-all like a bass guitar.\u003c\/p\u003e\n\u003cp\u003eWhy am I telling you this?  One ended up in my hands for a week.\u003c\/p\u003e\n\u003cp\u003eI did a lot of silly stuff with it.  I did come up with this one worthwhile riff, which I built a song around.  The song is called \u003ca href=\"https:\/\/www.youtube.com\/watch?v=z6Ulig_f7IQ\"\u003e\"You Need A Better Mind.\"\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eIt was recorded with my band in a single take at the end of a recording session for another song. We were tired. None of us cared that much if we failed. The fun spirit you hear in this song is mostly exhaustion… that kind of punchy exhaustion you get late at night when you’ll laugh at anything.\u003c\/p\u003e\n\u003cp\u003eThe lyrics were inspired by the spooky\/funny 10-minute movie \u003ca href=\"https:\/\/vimeo.com\/341842996\"\u003e“Rachel.”\u003c\/a\u003e  The song is about the scourge of American loneliness.\u003c\/p\u003e\n\u003cp\u003eIt is by far the fastest, easiest song Beauty Pill has ever created.\u003c\/p\u003e\n\u003cp\u003eWe hope you like it.\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeauty Pill - 'Instant Night'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Brown Eno\u003cbr\u003e\nRecorded in Kimani Clark's rooftop apartment, Washington DC\u003cbr\u003e\nand Magpie Cage Studios, Baltimore\u003cbr\u003e\nMastered by Heba Kadry\u003cbr\u003e\nDesigned by Nora McKelvey\u003c\/p\u003e\n\u003cp\u003eBeauty Pill is\u003cbr\u003e\nBasla Andolsun: bass\u003cbr\u003e\nChad Clark: voice, guitar\u003cbr\u003e\nDrew Doucette: guitar\u003cbr\u003e\nErin Nelson: voice\u003cbr\u003e\nDevin Ocampo: drums, guitar\u003cbr\u003e\nwith\u003cbr\u003e\nVictoria Banos: trumpet\u003cbr\u003e\nAaron Harman: bassoon\u003cbr\u003e\nSarah Hughes: saxophone\u003cbr\u003e\nDon Godwin: tenor horn\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886616944955,"sku":"CD-NS-137","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a3029821366_10_a92d654b-5070-49cd-808c-fa763775542c.jpg?v=1737501066"},{"product_id":"precious-thing","title":"Allegra Krieger  - Precious Thing CD","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn Allegra Krieger’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePrecious Thing\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the singer-songwriter tries to capture fleeting moments in a world that is sick from itself. With a voice that rings like a windchime signaling a storm coming, Allegra masterfully weaves together ephemeral moments as life barrels by her unforgivingly. From singing about sharing a gaze with a man on the train to Coney Island as the clock strikes 12 on New Years, to taking a loved one off life support, to processing the religious trauma of wine, Krieger portrays the particular pang of being a woman alive in a modern world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn October 2020, Allegra drove across the country to record \u003cem\u003ePrecious Thing\u003c\/em\u003e in Marin, CA with producer Luke Temple(Here We Go Magic, Art Feynman) and musicians Jeremy Harris, Kalia Vandever, Rob Taylor and Jacob Matheus who contributed organs, synths, bass and lap steel. Delightfully mellow but never bleak, \u003cem\u003ePrecious Thing\u003c\/em\u003e is a soundtrack for the daily motions of our lives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Precious Thing,” the album’s title track, reminds us how gorgeous it is that we can get up everyday and do the same thing. “It's watching something leave you,” Allegra says about this song, “wanting to fast forward to the end of the leaving, to move on, become lighter somehow.” In the song “The Circumstance,\" Krieger sings about trying to revel in the consistency that two people have built together, knowing that it can and probably will end. But for now, here is the light from the morning on her lover’s face, a book on a sofa in the apartment they share together, the milk in a coffee “rising like a plume.” The song brings to mind questions of fate and coincidence: loving somebody is a beautiful circumstance, an almost-perfect thing brought together by the chaos of surviving under the capitalist sun. But what if it had been different? What if being alone is better than the loneliness of trying to make something to work?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSomething else that’s central to this album is routine: Allegra’s lyrics celebrate the ebbs and flows of our daily lives, the people who come in and out of them, the hope that one of these days, somebody will stick around. In “Let Go” she sings, “When you woke up did you think of it?\/ Your body\/leaving behind the routine?” This comes up again in the phenomenal closing track, “Walking,” when she sings, “I don’t expect wonder or magic or rain\/Maybe a smile at a stranger passing\/ and maybe one day\/ I’ll see that stranger again.” There is a specific fertile sadness to this song, as she describes days of serving eggs and pouring beers and “the faces and bodies” of lovers fleeting, that is guaranteed to make listeners burst into tears because it will make them think about being alive in one body and wanting something so badly, even if they can’t name what it is.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAt the heart of this album is a young, working woman asking “Do you see this right now? I can’t be the only one.” This is an album about looking, and Krieger fills up each lonely space she enters with her gaze. Krieger asks you to look, to really, really look, so that you can remember something, however small it is, when it’s all gone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– Melissa Lozada-Oliva\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886617108795,"sku":"CD-NS-150","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/AllegraKrieger_PreciousThing_COVER-FINAL-e1646413422454.jpg?v=1736541923"},{"product_id":"picnic-in-the-dark","title":"Renata Zeiguer - Picnic in the Dark CD","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e'Picnic in the Dark' is the enchanting new album from Renata Zeiguer, her second full length release for Northern Spy. The album follows Zeiguer through a dreamworld of magical realism as she navigates her memories and seeks to confront inherited dysfunctional patterns head-on. As Zeiguer reconciles her childhood and her adult lives with careful compassion, 'Picnic in the Dark' reveals itself as an album not only of transformation, but of healing and self-actualization.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eZeiguer takes us by the hand and leads us into her surreal storybook realm by way of lead single “Sunset Boulevard”. We are guided through the metamorphosis of a caterpillar, a kaleidoscopic metaphor for the process of letting go of the seemingly safe and familiar in pursuit of a healthier and freer life. Throughout the album, Zeiguer’s free-associative approach transports the listener from sylvan reverie in “Evergreen” into disturbing fever dreams in “Burning Castle”. Her intuitive gift for storytelling, through both her words and music, is rare: narrative journeys seem to unfold spontaneously over the length of her songs. For instance, “Whack-a-mole”, a restless hunt for her innermost grief, slowly blossoms from a menacing nocturnal spy chase into a celestial wash of shimmering guitars and synths that shine like fireflies in an evening mist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn collaboration with co-producer and old friend Sam Griffin Owens (Sam Evian), Zeiguer sonically invokes the meeting point of memories and dreams, calling to mind Broadcast, Cindy Lee, or David Lynch’s multidisciplinary ventures. With generous splashes of spring reverb, ghostly vocal harmonies, antique drum machines, cinematic strings, and the comforting warbles of synthesized organ, all bolstered by a tight indie rock sensibility, the sonic palette of 'Picnic in the Dark' is magically anachronistic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFittingly, Zeiguer incorporates the sounds of her childhood—from jazz standards to classical music—but most notably the bossa nova greats such as João Gilberto, who married musical playfulness with lyrical poignancy. She shares Gilberto’s subtlety and intention of approach in every aspect of her music-making, from her hushed, deliberate vocals to her gorgeously understated arrangements and fine-tuned vintage guitar sounds. Most remarkably of all, Zeiguer has a masterful command of the harmonic and rhythmic language of bossa nova, fully capturing its romantic spirit. This is showcased in the impishly shifting ditty “Mark the Date”, a delirious dance through memory and time, and the yearning chromaticism of “Carmen”, an achingly beautiful plea for honesty. The album’s tranquil epilogue, “Primavera”, a direct homage to Gilberto’s heartfelt intimacy, brings Zeiguer’s journey full circle, passing through seasons of life and death and returning to the rebirth of spring at last.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 'Picnic in the Dark', Zeiguer has lovingly crafted a volume of fairy tales, torchlight glowing through its golden leaves. The image conjured by that very title reveals its essence and purpose: to allow the artist, like a child lost in the pages of a story, to safely venture into the shadowy, painful corners of her psyche with a lightness of spirit and fantastical whimsy.\u003c\/span\u003e\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886617239867,"sku":"CD-NS-152","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/RZ-PITD-FINALCOVER-copy-e1646412032989.jpg?v=1736541931"},{"product_id":"big-time-things","title":"Office Culture - Big Time Things LP","description":"\u003cp\u003eBig Time Things is a story of crossed wires and missed connections, sleepless nights and scrapped plans. On the third album from Office Culture, the Brooklyn-based band led by pianist-songwriter Winston Cook-Wilson, the magic is in how every element of their texturally rich, emotionally complex music conjures these same visions. The choruses offer humble pledges (“I only want you to be happy”) and uneasy interruptions (“Stop, I feel nervous”); the band swells and sprawls; the arrangements incorporate strings, horns, and backing vocals, suggesting how each moment casts its own shadow.\u003c\/p\u003e\n\u003cp\u003eOffice Culture’s most ambitious project is also their most intimate and thematically focused. Where previous albums introduced a vast cityscape of scenery and characters, Big Time Things zooms into each lonely window, so close that it can be difficult to know what exactly we’re looking at. In Cook-WIlson’s hands, it’s not always easy to differentiate love songs from breakup songs, moments of connection from total isolation, forward momentum or a quickening spiral.\u003c\/p\u003e\n\u003cp\u003eThe music behind his words suggests the full story lies in the blur. Comprising Cook-Wilson alongside drummer Pat Kelly, bassist Charlie Kaplan, and guitarist Ian Wayne, Office Culture have never sounded so dynamic or alive, their music so full of intricate detail and open air. While you can still hear traces of their longtime staples—Joni Mitchell, the Blue Nile, the ECM catalog—Big Time Things expands into new and adventurous territory. Occasionally, it recalls Herbie Hancock’s Headhunters band backing Scott Walker in the 1980s; other times, it feels like D’Angelo’s Voodoo recast as an opera.\u003c\/p\u003e\n\u003cp\u003eAs Cook-Wilson sings about feelings that transcend language (“A Word”) and moods that shift too quietly to be registered (“Suddenly”), he seeks to break from any songwriting tradition, following his thoughts to their open-ended conclusions. This approach leads the band to uncharacteristic moments of dissonance, as in the skronking tightrope of “Line,” and breakthroughs that glide with newfound grace. In “Elegance,” the band rides a tender, catchy groove, stopping and starting on a dime. As they reach a steady climax, Cook-Wilson looks us in the eyes and offers this wisdom:\u003c\/p\u003e\n\u003cp\u003eEverybody’s got a list to check off but\u003cbr\u003eNobody knows what they wrote it for\u003cbr\u003eWell, you don’t have to be like that with me baby\u003cbr\u003eLists never did me any good before\u003c\/p\u003e\n\u003cp\u003eAnd so, he tears up his lists, looks inward, and follows his heart.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49886617633083,"sku":"LP-NS-157","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a2817829202_16.jpg?v=1737578090"},{"product_id":"foxsoper-duo-magenta-line","title":"Fox\/Soper Duo - Magenta Line CS","description":"\u003cp\u003e“Magenta Line” is the debut recorded offering from the Fox\/Soper Duo, consisting of New York City musicians Greg Fox on drums, and Ryan Soper on modular synthesizer. Soper, an inventive sculptor, video artist, and modular synthesist makes up one half of the NYC-based performance project Non-Native, and is also a member of the A\/V trio Brat Pit. Fox is a prolific drummer known for his work in experimental metal outfit Liturgy, as well as bands such as Guardian Alien and Zs, not to mention countless collaborations ranging from Colin Stetson to Dan Deacon to Hieroglyphic Being.\u003c\/p\u003e\n\u003cp\u003eOn “Magenta Line”, the duo takes on a form that is unexpected for an acoustic-meets-electronic style collaboration. Fox’s drums are slightly filtered and engineered to take on an alien, electronic quality that compliments Soper’s organic, expressive execution of his synth, to the point where the two styles meet in the middle to produce fierce and otherworldly results. For an instrument that manipulates purely electronic impulses, Soper manages to play it in an incredibly physical manner, buzzing, squealing, and roaring in all it’s distorted glory like an electric guitar. Fox’s ability to react and interact naturally with Soper’s synth is remarkable, and a rare feat that few drummers can effectively accomplish. The outcome of this fusion is a style that leans more towards industrial, punk, or metal than it does to jazz or modern improvisation. Unrelenting in it’s exploration, “Magenta Line” gives way to a new style altogether, yielding nearly 45 minutes of uninterrupted gritty and grinding cyborg thrash.\u003c\/p\u003e\n\u003cp\u003eBoth artists demonstrate a very high level of skill and versatility with their chosen instrument. Fox and Soper each speak their own alien musical language to each other, meeting head-to-head in terms of the range of expression they can achieve with their expansive arsenal of mastered techniques. At times, Soper’s distorted sequences lock into place, providing the rhythmic backdrop for Fox to drum circles around, while at other times Fox lays down heavy, direct beats for Soper to explore the full range of free electronic shredding his synth is capable of. Musical form is firmly established, while extreme sonic and textural freedom is still allowed. “Magenta Line” is a marathon session where new ground is constantly being broken with powerful, crushing physicality. Although the instrumentation is unorthodox for an improvisational duo, the results are incredibly dynamic and exploratory when left in the hands of masterful musicians.\u003c\/p\u003e\n\u003cp\u003eCassette comes packaged with  download coupon.\u003c\/p\u003e\n\u003cp\u003eThe first 75 people who order “Magenta Line” will receive a free, limited edition 12″ x 12″ color poster of the full cover art by Ryan Soper. This print is only available from NNA, and is strictly limited to 75 copies! Still some remaining!\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Default Title","offer_id":49886621827387,"sku":"CS-NNA-091","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a4017543771_10.jpg?v=1737518127"},{"product_id":"birthing-hips-urge-to-merge","title":"Birthing Hips - Urge To Merge CS","description":"\u003cp\u003eNNA Tapes is very excited to welcome Boston, Massachusetts-based Birthing Hips to the family. Over the last decade, Boston has proved itself to be a creative melting pot for a new wave of uniquely deranged rock bands. The city’s rich history of punk, combined with its strong DIY culture, plus its local concentration of formal music schools have merged together in a bubbling stew, yielding an abundance of highly talented, energetic, and unruly new acts. At the forefront of this new crop is Birthing Hips, a noisy four-piece known for their virtuosic players and intense live performances. Following up their 2016 self-released debut ‘No Sorry,’ their latest release ‘Urge To Merge’ continues their ruthless trajectory into more aggressive, yet more refined, territory.\u003c\/p\u003e\n\u003cp\u003eThe four members of Birthing Hips operate like a finely tuned machine: each part operating independently, but when functioning together as a whole, it yields tremendously effective results. Although their rock and roll roots are undeniable, the genre’s cliches are consciously avoided – intros can be more like preludes, the verse\/chorus format is only loosely followed, and endings are creatively fragmented and self-destructive. The traditional format of guitar, bass, drums, and vocals are simultaneously tied to inventive song structures, but also free to improvise individually, creating a looseness and tension that draws as much from jazz as it does from punk. Wendy Eisenberg’s guitar takes on many forms, proving that she is in in full control of her instrument – at times Sun City Girls, sometimes Slayer, other times Sonny Sharrock. Her complex 32nd note passages weave seamlessly with Andres Abenante’s mammoth basslines, burning holes through his impeccably placed and deeply deliberate riff structures. Owen Liza Winter’s drumming sprays forth in a frantic shuffle, darting in and out of rhythm with plenty of individual character. Their range on the kit is displayed by switching from blastbeats, to jazz shuffles, to locked-in grooves at the drop of a dime. Carrie Furniss’ vocals tie everything together with her highly dynamic voice, using whispers, howling, and classic dramatic embellishments as her weapons of communication. In the profound moments when all of these roles align and lock together, it is a truly powerful musical moment that can be devastatingly satisfying to the listener. These recordings were all performed live in real time, a quality which not only adds a tangible rawness to the sound, but also demonstrates the improvisatory tightness of its players.\u003c\/p\u003e\n\u003cp\u003eThe lyrical themes on ‘Urge To Merge’ range from menacing to sarcastic to existential, reflective of a person pushed to their boiling point in the face of social bullshit and modern injustice. Birthing Hips’ juxtaposition of female vocals with blistering noise rock suggests notions of traditional femininity being smashed to pieces, like glitter being sprayed out of a can of mace. Buried within these songs’ bestial exterior, however, is an underlying melodic core of pop, showing an informed understanding and appreciation of all types of music from its creators.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCassette comes packaged with  download coupon.\u003c\/strong\u003e\u003c\/p\u003e","brand":"NNA Tapes","offers":[{"title":"Default Title","offer_id":49886623170875,"sku":"CS-NNA-105","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a2567273660_16.jpg?v=1738968262"},{"product_id":"office-culture-big-time-things-cd","title":"Office Culture - Big Time Things CD","description":"\u003cp\u003eBig Time Things is a story of crossed wires and missed connections, sleepless nights and scrapped plans. On the third album from Office Culture, the Brooklyn-based band led by pianist-songwriter Winston Cook-Wilson, the magic is in how every element of their texturally rich, emotionally complex music conjures these same visions. The choruses offer humble pledges (“I only want you to be happy”) and uneasy interruptions (“Stop, I feel nervous”); the band swells and sprawls; the arrangements incorporate strings, horns, and backing vocals, suggesting how each moment casts its own shadow.\u003c\/p\u003e\n\u003cp\u003eOffice Culture’s most ambitious project is also their most intimate and thematically focused. Where previous albums introduced a vast cityscape of scenery and characters, Big Time Things zooms into each lonely window, so close that it can be difficult to know what exactly we’re looking at. In Cook-WIlson’s hands, it’s not always easy to differentiate love songs from breakup songs, moments of connection from total isolation, forward momentum or a quickening spiral.\u003c\/p\u003e\n\u003cp\u003eThe music behind his words suggests the full story lies in the blur. Comprising Cook-Wilson alongside drummer Pat Kelly, bassist Charlie Kaplan, and guitarist Ian Wayne, Office Culture have never sounded so dynamic or alive, their music so full of intricate detail and open air. While you can still hear traces of their longtime staples—Joni Mitchell, the Blue Nile, the ECM catalog—Big Time Things expands into new and adventurous territory. Occasionally, it recalls Herbie Hancock’s Headhunters band backing Scott Walker in the 1980s; other times, it feels like D’Angelo’s Voodoo recast as an opera.\u003c\/p\u003e\n\u003cp\u003eAs Cook-Wilson sings about feelings that transcend language (“A Word”) and moods that shift too quietly to be registered (“Suddenly”), he seeks to break from any songwriting tradition, following his thoughts to their open-ended conclusions. This approach leads the band to uncharacteristic moments of dissonance, as in the skronking tightrope of “Line,” and breakthroughs that glide with newfound grace. In “Elegance,” the band rides a tender, catchy groove, stopping and starting on a dime. As they reach a steady climax, Cook-Wilson looks us in the eyes and offers this wisdom:\u003c\/p\u003e\n\u003cp\u003eEverybody’s got a list to check off but\u003cbr\u003eNobody knows what they wrote it for\u003cbr\u003eWell, you don’t have to be like that with me baby\u003cbr\u003eLists never did me any good before\u003c\/p\u003e\n\u003cp\u003eAnd so, he tears up his lists, looks inward, and follows his heart.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49909491728699,"sku":"CD-NS-157","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a2817829202_10.jpg?v=1737578003"},{"product_id":"toth-you-and-me-and-everything-butterfly-lp","title":"Tōth - You And Me And Everything - \"Butterfly Effect\" LP","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen Alex Toth wrote his debut solo album, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePractice Magic \u0026amp; Seek Professional Help When Necessary\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, he was recovering from a broken foot and a broken heart. Toth was stuck in his apartment and struggling to process the end of a nearly 12-year-long romantic partnership with his Rubblebucket bandmate Kalmia Traver, so he did what he normally does to process his thoughts: write music. Taking the advice of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePractice Magic \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eto heart, he enrolled in his fourth silent meditation retreat in three years and began to accept the open-endedness of love. Toth wound up writing over 100 songs in that period, chronicling a path to healing from grief and addiction and learning what it means to share yourself with someone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThat exercise opened the floodgates. Toth fell in love anew, wrote the mantra song “You And Me And Everything,” and went for a bike ride while it played on repeat in his head. The next thing he knew, his chronic anxiety melted into bittersweet melancholy and he was crying at the sight of a flock of birds flying out of a tree. If indulging the human instinct to pair bond seemed risky, then at least it came with the perspective to see life as an expansive wealth of experiences, big and small.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, his second solo album as Tōth, he dives headfirst into what it means to accept things beyond your control, especially when feeling stuck in a place of heartache and sorrow. Across these 12 songs, Tōth turns to Buddhism as refuge. The sense of calm it brings him sounds like an infinite indie rock landscape, stretching from bossa nova guitar riffs to cushioned horn swells and earnest piano runs, each one bleeding into the other naturally while maintaining an overarching sense of clarity. Mixed by Grammy-winning producer Noah Georgeson (Joanna Newsom, Devendra Banhart, Cate Le Bon), \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003erecalls the fluid technical prowess of Chet Baker \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eor Alice Coltrane\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, all open-ended verses with woozy improvisation and palpable heart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTōth divides his talent across guitar, piano, synths, trumpet, and drum machine, but arguably his biggest musical strength is his voice. With a gentle delivery, subtle rasp, and surprisingly vast range, his distinct singing style recalls that of Arthur Russell. It allows Tōth to traverse through vulnerabilities with a mix of honesty and curiosity. When he depicts the knotted tangle of falling in love, experiencing suicidal ideation, coming face-to-face with cancer, and healing through grief at the core of these songs, he does so with a ray of sunshine tucked in his pocket. Even the saddest tracks offer a reason to carry on. Perhaps it’s because of Tōth’s conversational lyrics (“Thank you for making everything totally meaningless, beautiful narcissus\/ I too am just a daffodil \/Slave to the breezes blow me to pieces till I am nothing,” he sings on “Daffadowndilly”) which create an atmosphere of camaraderie between him and the listener.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInspired by the creative energy of friends and collaborators like Kimbra and Adrienne Lenker, Tōth gets to showcase his strengths as a singer-songwriter in new ways on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything. \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn “Turnaround (Cocaine Song),” a recounting of one of the lowest points of his life, he fashions detailed snapshots of funerals and alcoholism into motivation for self-improvement. Later, the enormous “I Might Be” hits like an uptempo Bon Iver remix, complete with stacked vocal coos and a buoyant bass line that begs you to dance. Then there’s “Butterflies,” a bite-sized ode to chronic anxiety as the ying to joyful vibration’s yang, a sentiment he mirrors with crashing symbols and an exaggerated vocal slide. Throughout it all, Tōth never loses sight of his sense of humor. On “Guitars Are Better Than Synthesizers For Writing Through Hard Times,” he uses it to balance out an otherwise bleak moment. “My ex just broke up with the person they broke up with me for\/ Three years later and at the same time as I’m falling in love,” he sings. “The breakup album I made about her isn’t even out yet.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ewas created during a period of deep transformation and self-discovery for Tōth. He finally understood on a deeper level that in order to share yourself with someone else—with some modicum of happiness—you have to learn how to love yourself. The album sees him embrace relationships as an experiential journey in real time, even if they have the potential to result in dissolution or depression. To paraphrase “I Might Be,” if love is impossible to define, then you might as well dance together until the music stops. Tōth not only figured that out, but he brought that truth to life through song, too — and with \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, he’s inviting you to join him on that unpredictable, fulfilling ride. \u003c\/span\u003e\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49955451142459,"sku":"MLP-NS-138","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/NS138-To_CC_84th-cover-e1612209882327.jpg?v=1736541885"},{"product_id":"toth-you-and-me-and-everything-lp","title":"Tōth - You And Me And Everything Black LP","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen Alex Toth wrote his debut solo album, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePractice Magic \u0026amp; Seek Professional Help When Necessary\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, he was recovering from a broken foot and a broken heart. Toth was stuck in his apartment and struggling to process the end of a nearly 12-year-long romantic partnership with his Rubblebucket bandmate Kalmia Traver, so he did what he normally does to process his thoughts: write music. Taking the advice of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePractice Magic \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eto heart, he enrolled in his fourth silent meditation retreat in three years and began to accept the open-endedness of love. Toth wound up writing over 100 songs in that period, chronicling a path to healing from grief and addiction and learning what it means to share yourself with someone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThat exercise opened the floodgates. Toth fell in love anew, wrote the mantra song “You And Me And Everything,” and went for a bike ride while it played on repeat in his head. The next thing he knew, his chronic anxiety melted into bittersweet melancholy and he was crying at the sight of a flock of birds flying out of a tree. If indulging the human instinct to pair bond seemed risky, then at least it came with the perspective to see life as an expansive wealth of experiences, big and small.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, his second solo album as Tōth, he dives headfirst into what it means to accept things beyond your control, especially when feeling stuck in a place of heartache and sorrow. Across these 12 songs, Tōth turns to Buddhism as refuge. The sense of calm it brings him sounds like an infinite indie rock landscape, stretching from bossa nova guitar riffs to cushioned horn swells and earnest piano runs, each one bleeding into the other naturally while maintaining an overarching sense of clarity. Mixed by Grammy-winning producer Noah Georgeson (Joanna Newsom, Devendra Banhart, Cate Le Bon), \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003erecalls the fluid technical prowess of Chet Baker \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eor Alice Coltrane\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, all open-ended verses with woozy improvisation and palpable heart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTōth divides his talent across guitar, piano, synths, trumpet, and drum machine, but arguably his biggest musical strength is his voice. With a gentle delivery, subtle rasp, and surprisingly vast range, his distinct singing style recalls that of Arthur Russell. It allows Tōth to traverse through vulnerabilities with a mix of honesty and curiosity. When he depicts the knotted tangle of falling in love, experiencing suicidal ideation, coming face-to-face with cancer, and healing through grief at the core of these songs, he does so with a ray of sunshine tucked in his pocket. Even the saddest tracks offer a reason to carry on. Perhaps it’s because of Tōth’s conversational lyrics (“Thank you for making everything totally meaningless, beautiful narcissus\/ I too am just a daffodil \/Slave to the breezes blow me to pieces till I am nothing,” he sings on “Daffadowndilly”) which create an atmosphere of camaraderie between him and the listener.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInspired by the creative energy of friends and collaborators like Kimbra and Adrienne Lenker, Tōth gets to showcase his strengths as a singer-songwriter in new ways on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything. \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn “Turnaround (Cocaine Song),” a recounting of one of the lowest points of his life, he fashions detailed snapshots of funerals and alcoholism into motivation for self-improvement. Later, the enormous “I Might Be” hits like an uptempo Bon Iver remix, complete with stacked vocal coos and a buoyant bass line that begs you to dance. Then there’s “Butterflies,” a bite-sized ode to chronic anxiety as the ying to joyful vibration’s yang, a sentiment he mirrors with crashing symbols and an exaggerated vocal slide. Throughout it all, Tōth never loses sight of his sense of humor. On “Guitars Are Better Than Synthesizers For Writing Through Hard Times,” he uses it to balance out an otherwise bleak moment. “My ex just broke up with the person they broke up with me for\/ Three years later and at the same time as I’m falling in love,” he sings. “The breakup album I made about her isn’t even out yet.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ewas created during a period of deep transformation and self-discovery for Tōth. He finally understood on a deeper level that in order to share yourself with someone else—with some modicum of happiness—you have to learn how to love yourself. The album sees him embrace relationships as an experiential journey in real time, even if they have the potential to result in dissolution or depression. To paraphrase “I Might Be,” if love is impossible to define, then you might as well dance together until the music stops. Tōth not only figured that out, but he brought that truth to life through song, too — and with \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYou And Me And Everything\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, he’s inviting you to join him on that unpredictable, fulfilling ride. \u003c\/span\u003e\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49955455369531,"sku":"LP-NS-138-BLACK","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/NS138-To_CC_84th-cover-e1612209882327.jpg?v=1736541885"},{"product_id":"allegra-krieger-precious-thing-cs","title":"Allegra Krieger  - Precious Thing CS","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn Allegra Krieger’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePrecious Thing\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the singer-songwriter tries to capture fleeting moments in a world that is sick from itself. With a voice that rings like a windchime signaling a storm coming, Allegra masterfully weaves together ephemeral moments as life barrels by her unforgivingly. From singing about sharing a gaze with a man on the train to Coney Island as the clock strikes 12 on New Years, to taking a loved one off life support, to processing the religious trauma of wine, Krieger portrays the particular pang of being a woman alive in a modern world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn October 2020, Allegra drove across the country to record \u003cem\u003ePrecious Thing\u003c\/em\u003e in Marin, CA with producer Luke Temple(Here We Go Magic, Art Feynman) and musicians Jeremy Harris, Kalia Vandever, Rob Taylor and Jacob Matheus who contributed organs, synths, bass and lap steel. Delightfully mellow but never bleak, \u003cem\u003ePrecious Thing\u003c\/em\u003e is a soundtrack for the daily motions of our lives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Precious Thing,” the album’s title track, reminds us how gorgeous it is that we can get up everyday and do the same thing. “It's watching something leave you,” Allegra says about this song, “wanting to fast forward to the end of the leaving, to move on, become lighter somehow.” In the song “The Circumstance,\" Krieger sings about trying to revel in the consistency that two people have built together, knowing that it can and probably will end. But for now, here is the light from the morning on her lover’s face, a book on a sofa in the apartment they share together, the milk in a coffee “rising like a plume.” The song brings to mind questions of fate and coincidence: loving somebody is a beautiful circumstance, an almost-perfect thing brought together by the chaos of surviving under the capitalist sun. But what if it had been different? What if being alone is better than the loneliness of trying to make something to work?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSomething else that’s central to this album is routine: Allegra’s lyrics celebrate the ebbs and flows of our daily lives, the people who come in and out of them, the hope that one of these days, somebody will stick around. In “Let Go” she sings, “When you woke up did you think of it?\/ Your body\/leaving behind the routine?” This comes up again in the phenomenal closing track, “Walking,” when she sings, “I don’t expect wonder or magic or rain\/Maybe a smile at a stranger passing\/ and maybe one day\/ I’ll see that stranger again.” There is a specific fertile sadness to this song, as she describes days of serving eggs and pouring beers and “the faces and bodies” of lovers fleeting, that is guaranteed to make listeners burst into tears because it will make them think about being alive in one body and wanting something so badly, even if they can’t name what it is.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAt the heart of this album is a young, working woman asking “Do you see this right now? I can’t be the only one.” This is an album about looking, and Krieger fills up each lonely space she enters with her gaze. Krieger asks you to look, to really, really look, so that you can remember something, however small it is, when it’s all gone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– Melissa Lozada-Oliva\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49959146586427,"sku":"CS-NS-150","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/AllegraKrieger_PreciousThing_COVER-FINAL-e1646413422454.jpg?v=1736541923"},{"product_id":"allegra-krieger-the-joys-of-forgetting-lp","title":"Allegra Krieger - The Joys Of Forgetting Black LP","description":"\u003cp\u003eMost often, forgetting can feel like a failure—a missed birthday or a neglected anniversary. But forgetting can also mean freedom, an unburdening from past twinges of pain. On her debut album, The Joys of Forgetting, Allegra Krieger embraces the idea of forgetting as relief.\u003c\/p\u003e\n\u003cp\u003eGrowing up in suburban Florida, Krieger was raised staunchly Catholic. Much of her childhood was spent in a church, where she also studied classical piano and sang in the choir. Although she was encouraged to pursue a consecrated life, she chose a different path, dissociating from religion. The following years brought continual transitions of personhood and place. From housekeeping at a Death Valley motel, to tree-planting in Georgia, she explored different sides of herself, chasing ideals yet avoiding certain truths. As she reckoned with her own malleability, she came to understand the value of leaving something behind. The solitude and disenchantment that accompanied this lifestyle gave way to introspection, yielding the songs that became the Joys of Forgetting.\u003c\/p\u003e\n\u003cp\u003eLike memory itself, Krieger’s personal growth ebbs and flows across The Joys of Forgetting. She makes for an inviting companion as she connects the nonlinear dots on her journey. She lays her feelings and desires plain as she unfolds them: to find someone to confide in, to talk on the telephone, to catch up with a friend. She learns to seek comfort in patience, finding that affection is easy, but loving takes time. Her arrangements are elegant and unobtrusive, skirting her crystalline voice with acoustic guitar, curling strings, and percussion that gently tumbles. And though Krieger makes a strong case with her Joys of Forgetting, her songs leave a lasting imprint that’s a pleasure to recall over and over again.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49959243186491,"sku":"LP-NS-125-BLACK","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a3031056052_10_4a13cb21-aedf-45c4-a4ae-5a96302148c5.jpg?v=1737495608"},{"product_id":"beauty-pill-instant-night-transparent-lp","title":"Beauty Pill - Instant Night Transparent LP","description":"\u003cp\u003eThe title track to Beauty Pill's new EP, \u003ca href=\"https:\/\/www.youtube.com\/watch?v=73LJV8CBdM0\"\u003e\"Instant Night,\"\u003c\/a\u003e was originally written by bandleader Chad Clark in 2015 after he watched Ann Coulter, as a guest on Real Time with Bill Maher, predict that Donald Trump would win the 2016 US presidential election. The Washington, D.C. based artist recorded and surprise-released the single in October 2020 out of urgency to inspire people to vote in the presidential election. Because the song was being recorded during the pandemic, and because Clark has an artificial heart that puts him at high risk for COVID-19, it was recorded on a rooftop, with meticulously planned social distancing.\u003c\/p\u003e\n\u003cp\u003e\"Instant Night\" is Beauty Pill's first single without drums, and it is also the first Beauty Pill song to conspicuously highlight the band's woodwind quartet. The single was released alongside a music video featuring time-lapse footage of Trump, Lindsey Graham, and Mitch McConnell being drawn and depicted as monsters. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=73LJV8CBdM0\"\u003eThe video\u003c\/a\u003e was created and directed by the artist \u003cex-beauty\u003e Ryan Nelson.\u003c\/ex-beauty\u003e\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003eOf \"Instant Night,\" Beauty Pill's Chad Clark says:\u003c\/p\u003e\n\u003cp\u003eLast year I came to my band with a song called “Instant Night.”  I was nervous about presenting it to them.\u003c\/p\u003e\n\u003cp\u003e“This one is unusual.  There are no drums and it kinda sounds like Philip Glass music.  I don’t know where it came from exactly.  I wrote it a few years ago, but I think we should do it now. I think it’s kind of urgent, actually.”\u003c\/p\u003e\n\u003cp\u003eBeauty Pill is not a dictatorship.  The people in my band are all strong-willed artists themselves and they don’t just agree to do whatever I tell them.  Not every idea gets ratified, trust me.\u003c\/p\u003e\n\u003cp\u003eBut they seemed to quickly understand the song and understand the reason why I wanted to do it.  Remarkably, it took us only a few hours to develop and learn the arrangement that you hear now.  It came together almost magically.  And it felt natural.\u003c\/p\u003e\n\u003cp\u003eThe next step was convincing our label Northern Spy to rush-release the song before the election of 2020.  The label staff had a full docket of planned releases with other artists at that point. This was certainly an unwelcome request.\u003c\/p\u003e\n\u003cp\u003eI’m sure the label was privately exasperated with this request, but they understood why it was an important song for that moment.  “Instant Night” was released ly a couple weeks before the November election.  It was a complete surprise to Beauty Pill fans.\u003c\/p\u003e\n\u003cp\u003eListen, I operate under no delusions that my little arty DC post-punk band brought about the downfall of Donald Trump.  But I do think we contributed in a tiny, granular way.\u003c\/p\u003e\n\u003cp\u003eThe last words of the song are “Scared is alright” and I think everyone who heard it, felt it.  I do think that America was teetering on the edge of a very frightening plunge into the obliteration of pure fascism and bigotry at that moment.  And I think voters narrowly averted that crisis.\u003c\/p\u003e\n\u003cp\u003eThe lyrics of “Instant Night” are insinuating and allusive, not topical. It’s only a political song in the way that Dylan’s “A Hard Rain’s Gonna Fall” or Public Enemy’s “Fight The Power” are political songs. People call them “protest songs,” but neither of those songs is as specific as people think.  Go back and listen again.  They’re pretty abstract!  They are more poetic than polemic.  I see “Instant Night” as existing within that spectrum too.\u003c\/p\u003e\n\u003cp\u003eAnd I think it will last.\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003eOf the EP's send single, \u003ca href=\"https:\/\/music.beautypill.com\/bettermind\"\u003e\"You Need A Better Mind,\"\u003c\/a\u003e Clark says:\u003c\/p\u003e\n\u003cp\u003eThe Roland TB-303 is an old Japanese synthesizer that was designed to convincingly mimic the sound of a bass guitar.  It was introduced in 1981, it sounded like a toy and failed miserably, and it was ultimately discontinued in 1984.\u003c\/p\u003e\n\u003cp\u003eIt makes freaky, wiggly, cartoony sounds.  It sounds fuck-all like a bass guitar.\u003c\/p\u003e\n\u003cp\u003eWhy am I telling you this?  One ended up in my hands for a week.\u003c\/p\u003e\n\u003cp\u003eI did a lot of silly stuff with it.  I did come up with this one worthwhile riff, which I built a song around.  The song is called \u003ca href=\"https:\/\/www.youtube.com\/watch?v=z6Ulig_f7IQ\"\u003e\"You Need A Better Mind.\"\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eIt was recorded with my band in a single take at the end of a recording session for another song. We were tired. None of us cared that much if we failed. The fun spirit you hear in this song is mostly exhaustion… that kind of punchy exhaustion you get late at night when you’ll laugh at anything.\u003c\/p\u003e\n\u003cp\u003eThe lyrics were inspired by the spooky\/funny 10-minute movie \u003ca href=\"https:\/\/vimeo.com\/341842996\"\u003e“Rachel.”\u003c\/a\u003e  The song is about the scourge of American loneliness.\u003c\/p\u003e\n\u003cp\u003eIt is by far the fastest, easiest song Beauty Pill has ever created.\u003c\/p\u003e\n\u003cp\u003eWe hope you like it.\u003c\/p\u003e\n\u003cp\u003e+ + +\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeauty Pill - 'Instant Night'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Brown Eno\u003cbr\u003e\nRecorded in Kimani Clark's rooftop apartment, Washington DC\u003cbr\u003e\nand Magpie Cage Studios, Baltimore\u003cbr\u003e\nMastered by Heba Kadry\u003cbr\u003e\nDesigned by Nora McKelvey\u003c\/p\u003e\n\u003cp\u003eBeauty Pill is\u003cbr\u003e\nBasla Andolsun: bass\u003cbr\u003e\nChad Clark: voice, guitar\u003cbr\u003e\nDrew Doucette: guitar\u003cbr\u003e\nErin Nelson: voice\u003cbr\u003e\nDevin Ocampo: drums, guitar\u003cbr\u003e\nwith\u003cbr\u003e\nVictoria Banos: trumpet\u003cbr\u003e\nAaron Harman: bassoon\u003cbr\u003e\nSarah Hughes: saxophone\u003cbr\u003e\nDon Godwin: tenor horn\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49959487504699,"sku":"LP-NS-137C","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a3029821366_10.jpg?v=1737500927"},{"product_id":"beauty-pill-please-advise-black-lp","title":"Beauty Pill - Please Advise Black LP","description":"\u003cp\u003eThe title of this record was inspired by our circumstance. Please Advise is a liminal work. A document of a time of uncertainty and fragmentation.\u003c\/p\u003e\n\u003cp\u003eI'm proud of this record, but it's not perfect. I will go one step further: I'm proud of this record because it's not perfect.\u003c\/p\u003e\n\u003cp\u003eAll I wanna do is keep moving. Please Advise meets this criterion. For me, at least.\u003c\/p\u003e\n\u003cp\u003eI hope people find it valuable.\u003c\/p\u003e\n\u003cp\u003eWe named our record PLEASE ADVISE after producer Teo Macero’s famous 1969 memo to Columbia Records about Miles Davis (“Miles just called and said he wants this album to be titled BITCHES BREW. Please advise.”) It’s darkly funny to us now, but I bet it wasn’t funny to Teo then.\u003c\/p\u003e\n\u003cp\u003eI find that memo to be encouraging. Even in working with an artist as brilliant and masterful as Miles Davis, there were moments of uncertainty and maybe even panic. Like “What is this motherfucker doing?” panic.\u003c\/p\u003e\n\u003cp\u003eThere's probably no aesthetic connection between Miles Davis and Beauty Pill, but that memo makes me feel better about my own path. It’s okay if sometimes I don’t know what I’m doing. It’s okay if sometimes you don’t know what I’m doing either.\u003c\/p\u003e\n\u003cp\u003eThe paradox of any artist’s life is you need to cultivate confidence AND humility to survive.\u003c\/p\u003e\n\u003cp\u003eBut you know what? That’s the paradox of your life too.\u003c\/p\u003e\n\u003cp\u003eThanks for listening.\u003c\/p\u003e\n\u003cp\u003eChad Clark\u003cbr\u003eWashington, DC\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49959556383035,"sku":"LP-NS-128","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/BeautyPill_PleaseAdvise_5x5_300dpi-SQUARE-e1646418786664.jpg?v=1736541835"},{"product_id":"beauty-pill-please-advise-cs","title":"Beauty Pill - Please Advise CS","description":"\u003cp\u003eThe title of this record was inspired by our circumstance. Please Advise is a liminal work. A document of a time of uncertainty and fragmentation.\u003c\/p\u003e\n\u003cp\u003eI'm proud of this record, but it's not perfect. I will go one step further: I'm proud of this record because it's not perfect.\u003c\/p\u003e\n\u003cp\u003eAll I wanna do is keep moving. Please Advise meets this criterion. For me, at least.\u003c\/p\u003e\n\u003cp\u003eI hope people find it valuable.\u003c\/p\u003e\n\u003cp\u003eWe named our record PLEASE ADVISE after producer Teo Macero’s famous 1969 memo to Columbia Records about Miles Davis (“Miles just called and said he wants this album to be titled BITCHES BREW. Please advise.”) It’s darkly funny to us now, but I bet it wasn’t funny to Teo then.\u003c\/p\u003e\n\u003cp\u003eI find that memo to be encouraging. Even in working with an artist as brilliant and masterful as Miles Davis, there were moments of uncertainty and maybe even panic. Like “What is this motherfucker doing?” panic.\u003c\/p\u003e\n\u003cp\u003eThere's probably no aesthetic connection between Miles Davis and Beauty Pill, but that memo makes me feel better about my own path. It’s okay if sometimes I don’t know what I’m doing. 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That’s the paradox of your life too.\u003c\/p\u003e\n\u003cp\u003eThanks for listening.\u003c\/p\u003e\n\u003cp\u003eChad Clark\u003cbr\u003eWashington, DC\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49959561396539,"sku":"CS-NS-128","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/BeautyPill_PleaseAdvise_5x5_300dpi-SQUARE-e1646418786664.jpg?v=1736541835"},{"product_id":"bird-names-metabolism-a-salute-to-the-energy-of-the-sun-lp","title":"Bird Names - Metabolism: A Salute to the Energy of the Sun LP","description":"\u003cp\u003eThe latest release by the fringe pop outfit Bird Names is another bright star in their galaxy of offerings.  The album, Metabolism: A Salute to the Energy of the Sun, was created meticulously over the course of many moons and spiritual awakenings in sunny Chicago, IL.  The band is a duo, of sorts, comprised of Phelan LaVelle \u0026amp; David Lineal, though a cast of good souls have helped them along their travels.  Recently making Athens, GA their home, they explore a pop sound that touches as much on the naïve as it does the borders of avant-experimentation.  Their new album, mastered by Griffin Rodriguez (Icy Demons, Beirut, Band of Horses), is a lo-fi, boundary-pushing, pop experiment in the vein of the Beach Boys’ Smile. It is a fully-realized reflection on the sun and the fount of organic energy, or human energies, as the speech of the sun.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49959587381563,"sku":"LP-NS-006","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/51wIDlcryqL._SS500.jpg?v=1736541608"},{"product_id":"camp-howard-juice-ep-cs","title":"Camp Howard - Juice EP CS","description":"\u003cp\u003eReleased May 12, 2017. Recorded and Mixed by Adrian Olsen at Montrose. Recording Mastered by Josh Bonati at Bonati Mastering\u003c\/p\u003e","brand":"Egghunt Records","offers":[{"title":"Default Title","offer_id":49959761346875,"sku":"CS-EHR-022","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/Juice_EP_by_Camp_Howard.jpg?v=1736540874"},{"product_id":"dan-melchior-the-backward-path-lp","title":"Dan Melchior - The Backward Path LP","description":"\u003cp\u003eThe Backward Path marks a departure for Dan Melchior in a number of ways. It is his first album to feature other musicians since his time with the Broke Revue, and it also marks a change in his songwriting methods, with more heartfelt sentiments being expressed rather than the usual flood of snide non sequiturs. It is also a quieter album, without much of the “did he mean it to sound like that?” sonic onslaught of Catbirds and Cardinals.\u003c\/p\u003e\n\u003cp\u003eDan’s wife Letha Rodman Melchior was diagnosed with cancer in late 2010, and since then the couple has been on something of an emotional roller coaster. This comes through in the lyrics of the songs on The Backward Path and is augmented beautifully by the contributions of C. Spencer Yeh (violin), Haley L. Fohr (vocals), Anthony Allman (keyboards), Ela Orleans (vocals, keyboards and guitar), and Sam Hillmer (Saxophone).\u003c\/p\u003e\n\u003cp\u003eThe vocal pieces are broken up with instrumentals that are nearest in tone to the “songs” on Dan’s acclaimed LP on Kye, Excerpts and Half Speeds, giving some room for the vocal pieces to sink in. The final result has more in common with Sister Lovers than Guitar Wolf, and we hope you will find this decidedly adventurous, but emotionally engaging music as satisfying as Dan found it to make.\u003c\/p\u003e\n\u003cp\u003eAnthony Allman – keyboards, Haley L. Fohr – vocals, Sam Hillmer – saxophone, Ela Orleans – vocals, keyboards, guitar, C Spencer Yeh – Violin, All other instruments – Dan Melchior\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49960200765755,"sku":"LP-NS-028","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0406136949_10.jpg?v=1736541488"},{"product_id":"odetta-hartman-old-rockhounds-never-die-black-lp","title":"Odetta Hartman - Old Rockhounds Never Die Black LP","description":"\u003cp\u003eOdetta Hartman’s second album Old Rockhounds Never Die is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.\u003c\/p\u003e\n\u003cp\u003eDrawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company (“Cowboy Song”), to experiencing the intense natural beauty of Icelandic waterfalls (“Dettifoss”), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.\u003c\/p\u003e\n\u003cp\u003eRaised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colorful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB's. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax.\u003c\/p\u003e\n\u003cp\u003eLomax is writ large on Old Rockhounds... at least in spirit anyway. Odetta plays all the instruments on this and her debut 222, which made problematic the changeovers between songs when playing live. Field recordings the singer had collected on her travels were utilized to make such transitions seamless, and so successful was that intermingling of songs and soundscapes that they’ve transitioned into the recording process. It makes for a strangely intimate listen: tingly and a little tipsy: an album for twilight, sitting within the nocturnal hinterland between dusk and somnambulance - candlelit and confidential - a time for stories and secrets.\u003c\/p\u003e\n\u003cp\u003eSo far, so old skool. And yet, Old Rockhounds Never Die also embraces modernity without ever sounding incongruous. The mix of manipulated 21st century beats and the musical traditions of centuries meet at a crossroads and consummate their curiosity without inhibition. It’ll probably not surprise anyone listening to the album then that its a co-production. Odetta writes and performs all the songs while her partner Jack Inslee is in the background bringing the dark arts. Experimenting with found sounds \u0026amp; foley, the two have developed a sonic vernacular built around playing around with a-typical instruments. Hartman explains: “Many of the beats on the album were recorded in the kitchen: the snare sound is actually a running faucet, or if you hear these glockenspiel bells that's actually a set of kitchen bowls. Other percussive elements include scissors, a pepper grinder and keys on the radiator.”\u003c\/p\u003e\n\u003cp\u003eHartman was performing in a 10-piece band when she met Jack, who then challenged her to strip everything back and explore her own singular talent. The first fruits of this experiment were borne on the aforementioned, critically acclaimed 222. In 2015, Stereogum said: “Her impulse to mix elements of folk, bluegrass, and Americana with experimental or warped psychedelia is bridged by her strength as a lyricist, and the strength of the record’s producer Jack Inslee.” Old Rockhounds... takes the blueprint and improves upon it, with songs yet more vivid, sensual and cinematic. “Widow’s Peak” in particular is peak Hartman, a spooky tale that came to her like a bolt of lightning one day. It’s a gorgeous lullaby that builds stealthily, then - like a levee of violins rather than water - it bursts forth. That special moment was actually originally a mistake in the studio.\u003c\/p\u003e\n\u003cp\u003e“It was a happy accident,” says Odetta. “We played back all of the test takes together by mistake and fell in love with the wall of sound. I love mistakes in songwriting or recording, because they so often lead to something greater.” The title track, meanwhile, came as a moment of inspiration that seemed to also come from another place. If the singer was the vessel, then luckily Jack was on hand with the tape rolling. Odetta explains:\u003c\/p\u003e\n\u003cp\u003e“Jack and I were working on something else; it was pretty late at night, a couple of whiskey's in, and I was strumming this shitty backpacker guitar. Thankfully Jack ran the tape, because that track is completely improvised; it just came off the bat. You can even hear me laughing at the end! I think the melody is really catchy and I was doing something with my voice that I'd never done before - kind of jumping up the octave in that old country yodelling style.\u003c\/p\u003e\n\u003cp\u003e“I re-tracked with a real guitar, wrote different lyrics that were a little more clever, but ultimately you just lose the magic when you try to recreate something so raw like that. Maybe most artists wouldn't start their record with a scratch take of a demo, but for me it just emphasizes that I never take myself too seriously and I always try to have fun.”\u003c\/p\u003e\n\u003cp\u003eIf fun is the operative word, then it should also be noted that Old Rockhounds Never Die is an album featuring a dust-bowl murder ballad called \"Misery\" replete with gunshots. With Odetta Hartman it's always about those beautiful contradictions.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49962304897339,"sku":"LP-NS-100-BLACK","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a4027255447_10.jpg?v=1736541703"},{"product_id":"renata-zeiguer-picnic-in-the-dark-lp","title":"Renata Zeiguer - Picnic in the Dark LP","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e'Picnic in the Dark' is the enchanting new album from Renata Zeiguer, her second full length release for Northern Spy. The album follows Zeiguer through a dreamworld of magical realism as she navigates her memories and seeks to confront inherited dysfunctional patterns head-on. As Zeiguer reconciles her childhood and her adult lives with careful compassion, 'Picnic in the Dark' reveals itself as an album not only of transformation, but of healing and self-actualization.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eZeiguer takes us by the hand and leads us into her surreal storybook realm by way of lead single “Sunset Boulevard”. We are guided through the metamorphosis of a caterpillar, a kaleidoscopic metaphor for the process of letting go of the seemingly safe and familiar in pursuit of a healthier and freer life. Throughout the album, Zeiguer’s free-associative approach transports the listener from sylvan reverie in “Evergreen” into disturbing fever dreams in “Burning Castle”. Her intuitive gift for storytelling, through both her words and music, is rare: narrative journeys seem to unfold spontaneously over the length of her songs. For instance, “Whack-a-mole”, a restless hunt for her innermost grief, slowly blossoms from a menacing nocturnal spy chase into a celestial wash of shimmering guitars and synths that shine like fireflies in an evening mist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn collaboration with co-producer and old friend Sam Griffin Owens (Sam Evian), Zeiguer sonically invokes the meeting point of memories and dreams, calling to mind Broadcast, Cindy Lee, or David Lynch’s multidisciplinary ventures. With generous splashes of spring reverb, ghostly vocal harmonies, antique drum machines, cinematic strings, and the comforting warbles of synthesized organ, all bolstered by a tight indie rock sensibility, the sonic palette of 'Picnic in the Dark' is magically anachronistic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFittingly, Zeiguer incorporates the sounds of her childhood—from jazz standards to classical music—but most notably the bossa nova greats such as João Gilberto, who married musical playfulness with lyrical poignancy. She shares Gilberto’s subtlety and intention of approach in every aspect of her music-making, from her hushed, deliberate vocals to her gorgeously understated arrangements and fine-tuned vintage guitar sounds. Most remarkably of all, Zeiguer has a masterful command of the harmonic and rhythmic language of bossa nova, fully capturing its romantic spirit. This is showcased in the impishly shifting ditty “Mark the Date”, a delirious dance through memory and time, and the yearning chromaticism of “Carmen”, an achingly beautiful plea for honesty. The album’s tranquil epilogue, “Primavera”, a direct homage to Gilberto’s heartfelt intimacy, brings Zeiguer’s journey full circle, passing through seasons of life and death and returning to the rebirth of spring at last.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 'Picnic in the Dark', Zeiguer has lovingly crafted a volume of fairy tales, torchlight glowing through its golden leaves. The image conjured by that very title reveals its essence and purpose: to allow the artist, like a child lost in the pages of a story, to safely venture into the shadowy, painful corners of her psyche with a lightness of spirit and fantastical whimsy.\u003c\/span\u003e\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49962372104507,"sku":"LP-NS-152","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/RZ-PITD-FINALCOVER-copy-e1646412032989.jpg?v=1736541931"},{"product_id":"toth-practice-magic-and-seek-professional-help-when-necessary-limited-edition-purple-lp","title":"Tōth - Practice Magic and Seek Professional Help When Necessary Limited Edition Purple LP","description":"\u003cp\u003eIn July 2016, Alex Toth was recovering from a broken foot and a broken heart, stuck in his fourth-floor apartment in Brooklyn with cast and crutches. This is where Tōth’s “achingly beautiful” debut album, Practice Magic and Seek Professional Help When Necessary, was born.\u003c\/p\u003e\n\u003cp\u003eA few months earlier, Alex and his Rubblebucket cofounder and love of more than eleven years had “consciously uncoupled,” after a period of helping each other through devastating challenges. Alex was lightning-struck by sadness. “Almost convalescent” at times, in his words, though rarely still. A jazz trumpeter by training, Alex is always, always writing. And that spring, a new kind of music started to come—raw, stripped-down songs unfurling without agenda, bent over an acoustic guitar. It never occurred to Alex that he was making an album.\u003c\/p\u003e\n\u003cp\u003eThe idea sprouted in songwriting sessions with his friend Kimbra, when she heard this new sound and encouraged Alex to make a record. But it didn’t solidify until June 2016, when Alex was onstage with his punk project, Alexander F, and broke his foot. Stuck there in his apartment all summer, Tōth came to life.\u003c\/p\u003e\n\u003cp\u003ePractice Magic and Seek Professional Help When Necessary, due May 2019 from Northern Spy Records (worldwide) and Figureight Records (UK\/Europe), is a self-help guide unlike any other—a breakup album before wholeness, but after anger. The album turns as it goes, through “lush, windswept sonics” (Gorilla Vs. Bear), bebop trumpet solos, and spare guitar, recalling the Beach Boys in one bar and Arthur Russell in the next. It’s an album for remembering and letting go—and discovering what magic remains.\u003c\/p\u003e\n\u003cp\u003eCREDITS\u003c\/p\u003e\n\u003cp\u003eall songs written by Alex Toth, except for:\u003cbr\u003e“Down For The Count” written by Alex Toth \u0026amp; Kimbra Johnson, “No Reason” written by Alex Toth \u0026amp; Kris Barrett\u003cbr\u003e“Funny Business” written by Alex Toth \u0026amp; Brad Truax\u003cbr\u003e“Decay” written by Alex Toth \u0026amp; Jen Goma\u003c\/p\u003e\n\u003cp\u003eMixed by Andrew Sarlo\u003cbr\u003eMastered by Sarah Register\u003cbr\u003eMostly self-recorded in Alex Toth’s apartment in Brooklyn, NY between June 2016 and February 2018\u003cbr\u003eCover photo by Chris Weiss\u003cbr\u003eCover design by Aaron Denton\u003c\/p\u003e\n\u003cp\u003eTracks 2, 3, 5, 6, 7, 8, 10, 11 self-recorded in Alex's apartment in Brooklyn, NY\u003cbr\u003eTracks 1 \u0026amp; 9 engineered by Aaron Roche at Loft in Gowanus, May 2017\u003c\/p\u003e\n\u003cp\u003eTrack 4, violins on track 8, \u0026amp; vocal overdubs (trk 7) engineered by Sam Owens at Figure Eight Recording in Prospect Heights\u003cbr\u003eDrums + upright bass overdubs for tracks 2, 4, 5, 7, 8 recorded at Rivington Studios engineered by Nico\u003c\/p\u003e\n\u003cp\u003eAmbient overdubs tracks 3, 4, 10 \u0026amp; violas track 7 via Aaron Roche at Loft in Gowanus\u003cbr\u003eAdditional overdubs recorded in Alex’s apt in BK and at Sonora Recorders in LA (with Andrew Sarlo)\u003c\/p\u003e\n\u003cp\u003eI got so much really crucial encouragement early on from very dear humans I love — without which I never ever would’ve followed through with this record.\u003c\/p\u003e\n\u003cp\u003eSpecial Thanks:\u003cbr\u003eBrad Truax, Drew Robinson, Kimbra Johnson, Aaron Roche, Kris Barrett, Jen Goma, Jeremy Gustin, Ryan Dugre, Rob Abelow, Nicoll Bien, Northern Spy team (Chris, Adam, Tom, Cody and all), Figureight Records team (Hildur, James, Shahzad), Hannah Epperson, Joanna Sternberg, Julie Hill, Grey McMurray, Aaron Roche, Michael Leviton, Monica Hofstadter, Kalmia Traver, Kenneth Edwards, Julia Easterlin, Bridget Kearney, Andrea Diaz, Ben Davis, Mu Tunc, ThrdCoast, Amanda Bonaiuto, Lyla, Kathleen Toth\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49962588799291,"sku":"LP-NS-114C","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0164097588_10.jpg?v=1736541769"},{"product_id":"toth-practice-magic-and-seek-professional-help-when-necessary-black-lp","title":"Tōth - Practice Magic and Seek Professional Help When Necessary Black LP","description":"\u003cp\u003eIn July 2016, Alex Toth was recovering from a broken foot and a broken heart, stuck in his fourth-floor apartment in Brooklyn with cast and crutches. This is where Tōth’s “achingly beautiful” debut album, Practice Magic and Seek Professional Help When Necessary, was born.\u003c\/p\u003e\n\u003cp\u003eA few months earlier, Alex and his Rubblebucket cofounder and love of more than eleven years had “consciously uncoupled,” after a period of helping each other through devastating challenges. Alex was lightning-struck by sadness. “Almost convalescent” at times, in his words, though rarely still. A jazz trumpeter by training, Alex is always, always writing. And that spring, a new kind of music started to come—raw, stripped-down songs unfurling without agenda, bent over an acoustic guitar. It never occurred to Alex that he was making an album.\u003c\/p\u003e\n\u003cp\u003eThe idea sprouted in songwriting sessions with his friend Kimbra, when she heard this new sound and encouraged Alex to make a record. But it didn’t solidify until June 2016, when Alex was onstage with his punk project, Alexander F, and broke his foot. Stuck there in his apartment all summer, Tōth came to life.\u003c\/p\u003e\n\u003cp\u003ePractice Magic and Seek Professional Help When Necessary, due May 2019 from Northern Spy Records (worldwide) and Figureight Records (UK\/Europe), is a self-help guide unlike any other—a breakup album before wholeness, but after anger. The album turns as it goes, through “lush, windswept sonics” (Gorilla Vs. Bear), bebop trumpet solos, and spare guitar, recalling the Beach Boys in one bar and Arthur Russell in the next. It’s an album for remembering and letting go—and discovering what magic remains.\u003c\/p\u003e\n\u003cp\u003eCREDITS\u003c\/p\u003e\n\u003cp\u003eall songs written by Alex Toth, except for:\u003cbr\u003e“Down For The Count” written by Alex Toth \u0026amp; Kimbra Johnson, “No Reason” written by Alex Toth \u0026amp; Kris Barrett\u003cbr\u003e“Funny Business” written by Alex Toth \u0026amp; Brad Truax\u003cbr\u003e“Decay” written by Alex Toth \u0026amp; Jen Goma\u003c\/p\u003e\n\u003cp\u003eMixed by Andrew Sarlo\u003cbr\u003eMastered by Sarah Register\u003cbr\u003eMostly self-recorded in Alex Toth’s apartment in Brooklyn, NY between June 2016 and February 2018\u003cbr\u003eCover photo by Chris Weiss\u003cbr\u003eCover design by Aaron Denton\u003c\/p\u003e\n\u003cp\u003eTracks 2, 3, 5, 6, 7, 8, 10, 11 self-recorded in Alex's apartment in Brooklyn, NY\u003cbr\u003eTracks 1 \u0026amp; 9 engineered by Aaron Roche at Loft in Gowanus, May 2017\u003c\/p\u003e\n\u003cp\u003eTrack 4, violins on track 8, \u0026amp; vocal overdubs (trk 7) engineered by Sam Owens at Figure Eight Recording in Prospect Heights\u003cbr\u003eDrums + upright bass overdubs for tracks 2, 4, 5, 7, 8 recorded at Rivington Studios engineered by Nico\u003c\/p\u003e\n\u003cp\u003eAmbient overdubs tracks 3, 4, 10 \u0026amp; violas track 7 via Aaron Roche at Loft in Gowanus\u003cbr\u003eAdditional overdubs recorded in Alex’s apt in BK and at Sonora Recorders in LA (with Andrew Sarlo)\u003c\/p\u003e\n\u003cp\u003eI got so much really crucial encouragement early on from very dear humans I love — without which I never ever would’ve followed through with this record.\u003c\/p\u003e\n\u003cp\u003eSpecial Thanks:\u003cbr\u003eBrad Truax, Drew Robinson, Kimbra Johnson, Aaron Roche, Kris Barrett, Jen Goma, Jeremy Gustin, Ryan Dugre, Rob Abelow, Nicoll Bien, Northern Spy team (Chris, Adam, Tom, Cody and all), Figureight Records team (Hildur, James, Shahzad), Hannah Epperson, Joanna Sternberg, Julie Hill, Grey McMurray, Aaron Roche, Michael Leviton, Monica Hofstadter, Kalmia Traver, Kenneth Edwards, Julia Easterlin, Bridget Kearney, Andrea Diaz, Ben Davis, Mu Tunc, ThrdCoast, Amanda Bonaiuto, Lyla, Kathleen Toth\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49962590208315,"sku":"LP-NS-114","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a0164097588_10.jpg?v=1736541769"},{"product_id":"wilder-maker-zion-lp","title":"Wilder Maker - Zion LP","description":"\u003cp\u003eJames Joyce once said that if all of Dublin was destroyed, they ought to be able to rebuild it brick by brick just from reading his novels. Wilder Maker’s Zion is the first chapter in a musical novel that makes the same claim for Brooklyn, NY. Written by guitarist \/ saxophonist \/ singer Gabriel Birnbaum and brought to life with long time collaborators Katie Von Schleicher, Nick Jost (Baroness), Adam Brisbin (Sam Evian, Jolie Holland) and Sean Mullins, Zion is a kaleidoscopic snapshot of years hustling for a break in New York City: waking up at 5 am to pour coffee for the brownstone-owning elite, waiting for a drug dealer on a city bench outside a blurry house party, moving catastrophically from apartment to apartment in the garbage scented heat, glimpsing euphoria through the ritual of taking your place among the anonymous crowd at a music festival, having your heart shattered in front of an audience at a bar, drunkenly contemplating bodega window displays, circling ever closer to something that could either be perfection or the drain, depending on the day.\u003c\/p\u003e\n\u003cp\u003eLast year’s Saddle Creek single \"New Streets\" showcased the band in their poppiest Fleetwood-Mac-channeling mode, breezy summer jams for driving with the windows down, and it got them noticed by NPR, SPIN and Stereogum, but Zion hugely expands their palate of tools. Its influences run from classic 70’s Dylan to blown out free jazz saxophone, from Dr. John’s swampy psychedelia to Ethiopian sounds picked up from Birnbaum’s many years as a member of Debo Band, with hints of Coltrane’s classic quartet and nods to The Velvet Undergound. Zion is an omnivorous record. Its wide-ranging influences have been hinted at throughout Wilder Maker’s adventurous catalogue of self-released material but never explored so fully, or with this kind of wild energy and unclassifiable groove. This is a record to dance to, to cry to, to sing along to, maybe all three at once.\u003c\/p\u003e\n\u003cp\u003eLead vocals are traded casually back and forth by Birnbaum and Von Schleicher, who sing the kind of natural kinship you only get from almost a decade of working together, with Mullins and Jost forming a perfectly locked in core for them to float over, handling the odd-meter twists and turns of “Cocaine Man” and the backbeat strut of “Closer to God” with the same easy skill. Inspired as much by books by Rachel Kushner, Karl Ove Knausgaard, and Frank Stanford, the lyrics examine both dramatic and mundane moments, finding a way to infuse the everyday with as much meaning as the extraordinary, to find a metaphor in sun-bleached soda labels, tentative teenage dancers and halal carts.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":49963051548987,"sku":"LP-NS-101","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/a1608921332_10.jpg?v=1736541671"},{"product_id":"helen-ganya-share-your-care","title":"Helen Ganya - Share Your Care (Green Eco) LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Released direct-to-fan February 7th, 2025  - \u003c\/span\u003e\u003cstrong\u003eNew to Retail May 30th, 2025\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the summer of 2021, Brighton-based, Scottish-Thai songwriter Helen Ganya’s grandmother passed away. The grief hit the artist hard, not only because it marked the loss of her last remaining grandparent, but also because it felt like her links to being half-Thai were disintegrating. Ganya grew up in Singapore, but spent her summers in the northeast of Thailand where her mum’s side of the family is from, visiting her grandmother. Where would all those memories go now that the person at the centre of them was gone? What was her relationship to this place without that glue? And so, in an attempt to process it all, Ganya began to write. “I got my diary and wrote every single memory of my time as a child in Thailand, spending time with her, my grandad, my aunts and cousins and everything,” she explains, “I had these snapshots of memories that I just wrote down because I just suddenly panicked: it was like, who am I, then?”\u003c\/p\u003e\n\u003cp\u003ePreviously, Ganya had been hesitant to draw on her heritage in her music, somewhat wary of the orientalising gaze of the west. But after a dream about her late grandmother laid the foundations for what would become the track ‘Horizon’, Ganya realised she didn’t want to curtail herself either. She began to piece together a series of new songs at home, enjoying the catharsis of the process, using the MIDI as a temporary means of conveying the timbre of Thai instruments, before bringing those early incarnations to her frequent co-producer Rob Flynn. The pair went to Buddhapadipa Temple – the Thai Buddhist temple in Wimbledon – where they met instrumentalist Artit Phonron, who could play ranat ek, saw duang and khim, and later worked with Chinnathip Poollap, a musician in Thailand who could play the Thai oboe or “pi”; both would contribute to Share Your Care. She also called on Anglo-Thai artist John ‘Rittipo’ Moore to perform flutes and saxophone on the album. \u003cbr\u003e \u003cbr\u003eThe result is a triumphant, abundant record, teeming with heart and cinematic warmth. The title track is one of the first Ganya worked on, melding her own style with those Thai sounds. The celebratory song is based on her memory of following the elder women in her family – her mother, her aunts, her late grandmother – to go and visit her granddad's grave, bringing offerings (the video directed by Am Picha, features a similar storyline). “It felt like quite a magical journey to go down the trail to find him again,” she says, “It’s just trying to get that sense of honouring your ancestors and still feeling that they’re there. Sharing your grief, sharing your care, not forgetting them; bringing them food and water.” In general, following on from the themes of her last album, it’s another reminder of Ganya’s philosophy: “I think the way we live in modern society is very individualistic, and can be very lonely,” she muses, “For me, community and collective responsibility are the best way to be in a society.”\u003c\/p\u003e","brand":"Whited Sepulchre","offers":[{"title":"Default Title","offer_id":50250145792315,"sku":"LP-WSR-057-GREEN","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0916\/7831\/0715\/files\/HelenGanya_ShareYourCare_Packshot_Sepia_1_-WhitedSepulchreRecords.jpg?v=1745845094"},{"product_id":"weird-weeds-hold-me-lp","title":"Weird Weeds - Hold Me LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe Weird Weeds have been creating innovative and unclassifiable rock and folk songs that effortlessly straddle the line between rock 'n' roll and experimentalism. In that time the Austin, TX band has toured extensively and released three albums, the first of which - 2004's \"Hold Me\" - was only released as a limited (and now unavailable) CD-R on Digitalis. Lovingly reissued by Zum, \"Hold Me\" is now available in a pressing of 300 on black vinyl, packaged in a screened chipboard cover with all new artwork by Lauren Pakradooni. \u003cbr\u003e\"Hold Me\" is also unique in that it's the only recorded document of The Weird Weeds' original four-piece lineup that included Kurt Newman on lead guitar. The album is evidence that very early in their existence The Weird Weeds had developed a unique approach to songwriting that they've been honing and refining ever since. 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